Bo. A Small Drypoint Portrait, Signed, Dated & Numbered 2/10 por Pietilä, Tuulikki - 1947

Leipzig: F. E. Wachsmuth, 1930. No Binding. Very Good. A striking colour lithograph picturing plantation workers picking cotton by the banks of the Mississippi. Intended for educational use in schools, circa 1930. Measures 26 x 34.5 inches. With two hanging holes and some staining and grubbiness to the margins with a couple of ink marks to the picture. The image has retained its colour well, nonetheless, and this is a striking piece which will frame well.

Paris: Maeght Editeur, 1976. 1st Edition 1st Printing. Soft cover. Fine. A lovely copy of DLM 221 which was dedicated to Calder and published shortly after his death in November 1976. Loose signatures in wrappers as issued. 7 colour lithographs in total including front cover. Colour photographs and b&w portrait of the artist. Pristine condition - entirely free from spotting/foxing, fingermarking etc. Hard-to-find in such nice condition.

Paris: Maeght Editeur, 1975. 1st Edition 1st Printing. Soft cover. Fine. A very nice complete copy of DLM 212 with 8 lithographs (including the covers) by Alexander Calder. Published in Paris by Maeght, 1975. Loose signatures in wrappers as issued, 24 pages. Contents in Fine condition, free from spotting, foxing etc. No stains or finger-marking - a very clean and bright copy, the colours are vivid and goregeous. One minor fault - there is a very small pinch at the spine/fold which carries through to the same place at all of the signatures - unsure whether it is a sign of a "bump" or some kind of production fault. otherwise, a Fine example.

San Francisco: Synaesthesia Press, 1997. 1st Edition 1st Printing. Soft cover. Fine. Chap book in which Barry Gifford recalls a visit to see Willlam S. Burroughs at the Bunker. Hand-sewn wrappers with die-cut cover, pp. 4, illustrated by Billy Childish. One of 26 lettered copies from a total edition of 176. Signed by both the author and artist at the title-page and includes three additional woodcuts created for the book by Billy Childish - these are enclosed in an envelope laid in. All presented in a larger, illustrated manilla envelope which shows minor creasing, the book itself and prints are in immaculate, Very Fine condition.

Paris: Maeght Editeur, 1952. 2nd Edition . Soft cover. Fine. A beautiful, complete copy of DLM 48-49 with 6 colour lithographs by Georges Braque. Published in Paris by Maeght, 1952. 2nd edition. Commentary by Giacommetti. Loose signatures in wrappers as issued. 2 single-page, two doubles, and both covers, colour lithographs. Wrappers and Contents in really Fine condition, free from spotting, foxing etc. No edge-wear, no stains or finger-marking - a most excellent copy.

Helsinki: Schildts, 1994. 1st Edition . Hardcover. Fine/Fine. 1994, First thus, the revised, illustrated edition. When first published in 1968, Tove Jansson insisted that her first foray into adult's literature would not include illustrations of any kind - so intent was she in distancing herself from the Moomins. By 1994, however, she had mellowed somewhat, and she agreed to the inclusion of photographs from her personal family archive - as well as one of her own drawings - for this revised edition of her semi auto-biographical work, Sculptor's Daughter. The original Schildts Swedish language editions of Tove Jansson's works are always the most difficult to acquire due to their comparatively tiny print-runs. And this title is no exception. EXTREMELY hard to find and particularly in such superb condition as this copy. SIGNED copies of either edition are amongst the most elusive of all her works - they simply do not appear on the open market. You are more likely to find an original leaf from The Book… Ler mais

San Francisco: Synaesthesia Press, 1997. 1st Edition 1st Printing. Soft cover. Fine. Chap book in which Barry Gifford recalls a visit to see Willlam S. Burroughs at the Bunker. Hand-sewn wrappers with die-cut cover, pp. 4, illustrated by Billy Childish. One of 26 lettered copies from a total edition of 176. Signed by both the author and artist at the title-page and includes three additional woodcuts created for the book by Billy Childish - these are enclosed in an envelope laid in. All presented in a larger, illustrated manilla envelope which shows minor creasing, the book itself and prints are in immaculate, Very Fine condition.

Paris: Maeght Editeur, 1952. 2nd Edition . Soft cover. Fine. A beautiful, complete copy of DLM 48-49 with 6 colour lithographs by Georges Braque. Published in Paris by Maeght, 1952. 2nd edition. Commentary by Giacommetti. Loose signatures in wrappers as issued. 2 single-page, two doubles, and both covers, colour lithographs. Wrappers and Contents in really Fine condition, free from spotting, foxing etc. No edge-wear, no stains or finger-marking - a most excellent copy.

Helsinki: Schildts, 1995. 1st Edition 1st Printing. Hardcover. Fine/Fine. Jansson, Tove. Printed in the Swedish language. A lovely copy of this very hard-to-find selection of Tove Jansson's illustrations, caricatures and cartoons for the celebrated Finnish satirical magazine GARM. By 1946 Tove Jansson had become the journal's chief illustrator, having been a contributor since her teenage years. Commentary for the illustrations is provided by Erik Kruskopf. pp. 159, including several full-page colour plates. The book and dustjacket are in exceptionally Fine condition. A rare item, much more difficult to find than original issues of Garm itself!

Paris: Maeght Editeur, 1970. 1st Edition 1st Printing. Hardcover in Slipcase. Near Fine. Loose leaves in illustrated wrappers as issued, housed in publisher's light blue chemise and slipcase. Printed on velin de Lana, folio, pp. 30. With 2 original colour double-page lithographs by the artist and 6 after. One of 150 copies, signed by Joan Miró at the colophon. CONDITION REPORT: Slipcase: Minor sunning at margins, front and back. Small chip to fabric at one upper corner. Microscopic chip to fabric at front panel near upper corner left. VG. Chemise: upper cover bowing. One very small chip to each spine tip i.e. loss of blue fabric. Finger mark to upper cover. VG. Contents: One single spot to the upper margin of the first four pages (artwork not affected). Otherwise excellent, Fine.