Printing from G. F. Wilkinson Books, member IOBA

Toronto: Anson Cartwright. Fine. 1982. Hardcover. 0919974082 . Lettered 'Review Copy' on the colophon. Orange cloth lettered in silver. Reproductions from engravings throughout of buildings, advertising, billheads, etc. ; 4to 11" - 13" tall; 311 pages .

Dallas: Bridwell Library. Near Fine. 2003. Softcover. Touch of fading to spine. ; Decorative gray wrappers; examples of the printing work illustrated with color plates throughout. Ownership label of Bernard M. Rosenthal on bottom inside edge of front cover, with his pencil note on upper corner "Dupl. Rec'vd 11/20/03." ; 4to 11" - 13" tall; 93… Ler mais sobre este item

Florence; Milan: Leo S. Olschk Editore; Ulrico Hoepli; G. C. Sansoni. Good. 1939,1941, 1949. Hardcover. Lower half of spine missing, remaining leather discolored; binding remains solid. Some tanning at the edges of text pages of Fumagalli, Giunte E Correzioni, so volumes bound in are very good or better. ; Quarter red leather and marbled boards; all original… Ler mais sobre este item

Torino: Libreria Antiquaria Pregliasco. Near Fine. 1983. Softcover. 444 items catalogued. Illustrated wrappers; half-tone reproductions throughout. Text in Italian. ; 8vo 8" - 9" tall; From the library of Bernard Rosenthal with his small note in pen bottom of front cover. .

Los Angeles: The Ward Ritchie Press For the Friends of the UCLA Library. Good. 1954. Softcover. 26 pp.; 8vo; printed, stapled blue wrappers. Scuff to front cover; stip of light tanning across front endpaper; ownership ticket of Ed Ainsworth affixed to lower edge inside front cover. The Botica General . . . was one of twelve twelve… Ler mais sobre este item

San Francisco: The Press in Tuscany Alley. Fine. 1996. Limited Edition. Softcover. 10 pp; 4to; flexible, paper covered boards; tipped-in color frontis and page of initials from the book; 9 folded speciment sheets in rear pocket. Consists of over-runs from the original edition printed at the Press in Tuscany Alley in 1978. 150 copies presented to the… Ler mais sobre este item

Chicago: Superior Marketing Equipment Co.. Very Good. 1953. Softcover. 14 pp., 8vo; stapled white wrappers; illustrations. "If you'd like to publish a newspaper, the first thing to do is to get started . . ." Back cover with a quarter size ink spot bleeding through to inside back cover, otherwise light soil. .

Los Angeles: The Chappel. Fine. 1984. Limited Edition. Hardcover. [152] pp., in various paging sections; 8vo; red cloth; illustrations, portraits. Limited to 125 copies. Group publishing venture including: Daniel Berkeley Updike advises Henry Watson Kent on machine composition / Daniel Berkeley Updike ; printed for John Bidwell and Andrea Immel by Patrick Reagh, Printers -- America's… Ler mais sobre este item

Los Angeles: The Chappel. Fine. 1986. Limited Edition. Softcover. Six printed items enclosed in printed, folded 'Table of Contents', without box. Including: THE WORLD'S MOST FAMOUS PRINTERS, 12 woodcuts by Herschel Logan reprinted by Jack Conway on 4 3/8" x 4 6/8" cards with text on verso, in original envelope. WHAT IS TYPE?, by O. A. Owen,… Ler mais sobre este item

San Rafael, CA: Jeff Craemer Mt. Tam Press. Fine. 1995. Limited Edition. Softcover. 120 copies printed. [10]pp.; 12mo; printed, stapled wrappers. Reprinted from The Inland Printer, July 1911. .

Lafayette, CA: Printed and published by the author. Fine. 1986. Limited Edition. Hardcover. No. 95 of 175 copies, signed by the authors. 29 pp.; sq. 16mo; decorated light orange boards. A little Spanish stew, or compendium of printer's lingo.; Signed by Author(s) .

Austin: W. Thomas Taylor Inc. 1991-1995. Fine. 1991. Softcover. 4to; decorative wrappers; every issue with reproductions; b&w photos; ads. .

San Francisco: The Book Club of California. Fine. 1983. Hardcover. 84 pp., frontis port.; tall 8vo; brick red cloth, spine stamped in gilt; glassine jacket; reproductions throughout; bookplate of Roger K. Larson on front pastedown. BCC publication no. 173 Limited to 550 copies, designed and printed by Harold Berliner. .

Berkeley: Western Heritage Press. Near Fine. 1991. Softcover. 500 copies, designed, printed and bound under the directions of Bruce N. Washbish at Anchor & Acorn Press. 19 pp. printed light blue wrappers; paper title label. Fading to wrappers at edges. .

N.Y.: Oxford University Press [1943]. Near Fine. 1943. Third Revised Edition. Hardcover. 676 pp., index & bibliography; 4to; gilt stamped blue cloth, without d. j.; reproductions. Former owner's name on front endpaper. .

no dates. Fine. Poster, 22.5" x 16" printed in black, blue & red; brads in each corner through cardboard backing printed circulars up to 13" x 8.5". Poster and the larger circulars are folded. .

Sheffield, England: Stephenson Blake, Ltd, no date [c. 1960 -]. Fine condition. 8" x 5" folder opens to 15" x 19.5" broadside; ivory card stock printed in blue & black on both sides; small addendum sheet on Consort Light Condensed tipped in. Folder opens to show the complete range of the Consort family.

San Francisco: Sandra Kirshenbaum. Fine. 1984. Softcover. 4to; decorative white wrappers, designed by Betsy Davids; reproductions & drawings throughout; ads. Book Arts Profile: The Yolla Bolly Press. Several pieces on Book Arts Education including The Mills College Program by Kathleen Walkup & Melody Sumner, The University of Alabama Program, by Gordon Neavill. Also, reviews, notes, misc.… Ler mais sobre este item

San Francisco: Sandra Kirshenbaum. Fine. 1988. Softcover. 4to; printed [Collage-O-Type, by Will Henry Powers] white wrappers; reproductions & drawings throughout; ads. Supplemental fineprint 2 laid in. Including: On Type: Bitwitched [sic], Bothered and Bewildered; Type, 1987. Broadside Review: The Printed Poem/The Poem as Print, by Betsy Davids. Owning Philip Smith's Book Wall, by Colin Franklin. Designing… Ler mais sobre este item

N.Y.: American Printing History Association. Very Good. 1987. Softcover. 48 pp.; white wrappers; reproductions. Including: Stoddard, Morphology of the Book; Alterman et al., From Woodblock to Silicon Chip; Eckman, The Union Type Foundry; Profile of Takashi Kono at Eighty by James Fraser. Etc. .