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Fordham University Press. Used - Good. Good condition. Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
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The Italian Presence in American Art, 1860-1920 Capa dura - 1992
por Irma B. Jaffe
Descrição da contracapa
Like a magic potion, Italianita has seeped through the stream of American aesthetic consciousness ever since Benjamin West stepped onto Italian soil in 1760. The first period of this artistic phenomenon was investigated in The Italian Presence in American Art, 1760-1860 and the book at hand thus continues this intellectual exploration in its development during the following sixty years. Those decades between the Civil War and World War I brought to a climax the growing sense of American continental nationhood, and this strengthened perception of national identity was reflected in American art. A synthesis was achieved in which American values and images were fused with the great tradition flowing from its Italian source. Among the themes that arise from this examination of the role that Italy played in shaping American art is first and foremost the struggle to resolve the issue of what American art ought to express: our European heritage or our cultural independence. This question penetrates to the heart of the most widely debated topic in present-day American culture - multiculturalism. The reader may well find previously unconsidered relationships between our past and present, and may be led to reconsider problems posed by the conflicting needs of unity and diversity in our nation. Other themes that appear in these essays deal with the development of American wealth and its role in influencing the taste of the period, and with feminism. In these pages it will be noticed how very closely American art mirrors the American Experience. While all art reflects the cultural context in which it is created, the nature of American art, predominantly Romantic-Realism, makes the link between ideaand image particularly visible. What becomes evident is that "the Italian presence" was almost never a simple matter of direct influence; rather it was an experience for American artists that afforded them, above all, insight and inspiration. Italy was America's muse.
Detalhes
- Título The Italian Presence in American Art, 1860-1920
- Autor Irma B. Jaffe
- Encadernação Capa dura
- Edição First Edition
- Páginas 265
- Volumes 1
- Idioma ENG
- Editorial Fordham University Press, New York
- Data de publicação 1992
- Ilustrado Sim
- Features Illustrated
- ISBN 9780823213429 / 0823213420
- Peso 3.11 libras (1.41 kg)
- Dimensão 11.22 x 8.21 x 1.06 in. (28.50 x 20.85 x 2.69 cm)
- Nível de leitura 1580
- Library of Congress subjects Art, American - 20th century, Art, American - 19th century
- Número da Biblioteca do Congresso dos Estados Unidos 91026267
- Dewey Decimal Code 709.730
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The Italian Presence in American Art, 1860-1920
por Jaffe, Irma B.
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JOHN SINGLETON COPLEY
por Flexner, James Thomas
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Fordham University Press, 1993. Hardcover with Dust Jacket. VERY GOOD/Very Good. 139 pp. B&W and color plates. Clean and sharp with bright dust jacket.
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The Italian Presence in American Art, 1860-1920
por Jaffe, Irma B. (ed.)
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NY: Fordham University Press. Very Good+ in Very Good+ dust jacket. 1992. Hardcover. 0823213420 . In VG+ DJ; Blue cloth hardback. Color & B&W illustrations, notes. ; 4to 11" - 13" tall; xvi + 265 pages .
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The Italian Presence in American Art, 1860-1920
por Jaffe, Irma B
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- Usado - Muito Bom
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- Hardcover
- ISBN 10 / ISBN 13
- 9780823213429 / 0823213420
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Fordham University Press, 1992-01-01. Hardcover. VERY GOOD/GOOD. 265 clean, unmarked, tightly-bound pages; dust jacket has light creases and small tears at upper and lower edges; cover is clean and sturdy with a bumped upper corner
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The Italian Presence in American Art, 1860-1920
por Jaffe, Irma B. (editor)
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New York: Fordham University Press, 1992. Hardcover. VG- (Few marks from previous gallery owner; page edges are tanning lightly; text and plates are good.). Blue cloth, green & color illus. dust jacket, 265 pp. 16 color, 149 bw plates. Continues from Jaffe's previous book, "The Italian Presence in American Art, 1760-1860." "While all art reflects the cultural context in which it is created, the nature of American art, predominantly Romantic-Realism, makes the link between idea and image particularly visible. What becomes evident is that 'the Italian presence' was almost never a simple matter of direct influence; rather it was an experience for American artists that afford them, above all, insight and inspiration. Italy was America's muse." (dj).
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por Jaffe, Irma
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Fordham University Press. New. 1992. Hardcover. 0823213420 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- Text in English. 265 pages -- with a bonus offer-- .
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The Italian Presence in American Art, 1860-1920
por Jaffe, Irma
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- Hardcover
- ISBN 10 / ISBN 13
- 9780823213429 / 0823213420
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Fordham University Press. New. 1992. Hardcover. 0823213420 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- 265 pages. Description: "Like a magic potion, Italianita has seeped through the stream of American aesthetic consciousness ever since Benjamin West stepped onto Italian soil in 1760. The first period of this artistic phenomenon was investigated in The Italian Presence in American Art, 1760-1860 and the book at hand thus continues this intellectual exploration in its development during the following sixty years. Those decades between the Civil War and World War I brought to a climax the growing sense of American continental nationhood, and this strengthened perception of national identity was reflected in American art. A synthesis was achieved in which American values and images were fused with the great tradition flowing from its Italian source.…
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