Springing: New and Selected Poems Brochura - 2003

Springing

In a skiff on a sunrisen lake we are watchers.

Swimming aimlessly is luxury, just as walking
Loudly up a shallow stream is.

As we lean over the deep well, we whisper.

Friends at hearths are drawn to the one warm air;
stranger meet on beaches drawn to the one wet sea.

What wd it be to be water, one body of water
(what water is is another mystery). (We are
water divided.) It wd be a self without walls,
with surface tension, specific gravity, a local
exchange between bedrock and cloud of falling and rising,
rising to fall, falling to rise.


Old Jokes Appreciate

Up the long stairs I run
stumbling, expectant.
Impatience is hopelessly
desperate. Hope
takes time.

Sort out the private from the personal.
Advance on losses at a decent pace.

"Aside from all that, Mrs. Lincoln,
how did you like the play?"

Origin

The skull or shell
or wall of bone shaped
with its egg advantages
does not advertise

the gardens it contains,
the marriages, the furies,
or the city it shelters
(clangs, clouds, silences,
found souls crowding,
big dank cans where things
putrify)

or the glade it hides
for us to hide in, where
—our lives eased open—
we drowse by the pond and wake
beside ourselves with thirst,
where (dipping the cup we find)
we get of necessity
a drink of some depth
full of taste
and original
energy.

The darling face,
the fragrant chevelure,
even the beautiful ears
on the shell do not
boast about the workplace inside.

They prefer to appear to agree
they are just along for the ride.


From the Hardcover edition.

"Marie Ponsot's poetic achievement is fiercely independent. A courageous eloquence is sustained throughout her work, as she mounts up what Emerson called 'the stairway of surprise.'"
---Harold Bloom


From the Hardcover edition.

Marie Ponsot's first book of poems was True Minds (1956); later books are Admit Impediment (1981) and The Green Dark (1988). She is a native New Yorker who has enjoyed teaching at Queens College, Beijing United University, the Poetry Center of the YMHA, New York University, and Columbia University. Among her awards are an NEA Creative Writing grant, the Delmore Schwartz Memorial Prize, and the Shaughnessy Medal of the Modern Language Association. Ponsot's most recent collection, The Bird Catcher, won the National Book Critics Circle Award for Poetry in 1998.