Descrição:
The MIT Press, 1990-03-28. Paperback. Good. 0.9000 in x 12.3000 in x 9.8000 in. Mild general wear. Pages clean. Binding sound, but has been bent.
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Independent Group: Postwar Britain and the Aesthetics of Plenty Capa dura - 1990
por David Robbins; David Robbins (Editor); Introduction by Jacquelynn Baas
Detalhes
- Título Independent Group: Postwar Britain and the Aesthetics of Plenty
- Autor David Robbins; David Robbins (Editor); Introduction by Jacquelynn Baas
- Encadernação Capa dura
- Edição First Edition
- Páginas 256
- Volumes 1
- Idioma ENG
- Editorial MIT Press (MA), Cumberland, Rhode Island, U.S.A.
- Data de publicação March 28, 1990
- Ilustrado Sim
- ISBN 9780262181396 / 0262181398
- Peso 3.2 libras (1.45 kg)
- Library of Congress subjects Art, British - 20th century, Independent Group (Association: Great
- Número da Biblioteca do Congresso dos Estados Unidos 89043668
- Dewey Decimal Code 709.410
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The Independent Group: Postwar Britain and the Aesthetics of Plenty
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State College, Pennsylvania, United States
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The Independent Group: Postwar Britain and the Aesthetics of Plenty
por David Robbins
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HOUSTON, Texas, United States
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The MIT Press, 0000-00-00. First Edition. paperback. Used: Good.
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The Independent Group : Postwar Britain and the Aesthetics of Plenty
por David Robbins (editor)
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Rochester, Kent, United Kingdom
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Cambridge, Mass.: MIT Press, 1990. 1st Edition 1st Printing. Hardcover. Very Good/Very Good. 4to - over 9¾ - 12" tall. Well-illustrated and well-researched catalogue of an exhibition organized by the Hood Museum of Art, Dartmouth College ... [et al.] held between February 1, 1990 and August 18, 1991 at various locations. 256 p. : ill. (some col.) ; 25 x 31 cm. First edition, first printing. Yellow cloth boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear to edges, some fading and a light crease to dust jacket, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.
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The Independent Group: Postwar Britain and the Aesthetics of Plenty
por David Robbins
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Edmonton, Alberta, Canada
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Cambridge, MA: MIT Press, 1990. First edition. Hardcover. Very Good/Very Good. 4to. pp. 256
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THE INDEPENDENT GROUP Postwar Britain and the Aesthetics of Plenty
por Robbins, David
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Sherman Oaks, California, United States
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The MIT Press. Near Fine in Fine dust jacket. 1990. First. Hardcover. 0262181398 . 12.3 X 9.8 X 0.9 inches .
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The Independent Group: Postwar Britain and the Aesthetics of Plenty
por Robbins David, Baas Jacquelynn, Alloway Lawrence
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Milano, Italy
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"The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far more subversive and constructive mission than the founding of an art movement. Street-smart, anti-academic, and iconoclastic, they embraced Hollywood and Madison Avenue and rejected the traditional dichotomies between high and low culture, British and American values. They used their meetings and exhibitions to challenge the official modernist assumptions of British aesthetics and to advocate instead a media-based, consumer-based aesthetics of change and inclusiveness - an aesthetics of plenty. In doing so they drew upon Dadaist, Futurist, and Surrealist strategies to invigorate their alternative version of modernism - a version that today can be said to have insinuated the terms of postmodernism. This book provides the first…
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The Independent Group: Postwar Britain and the Aesthetics of Plenty
por David Robbins [Editor]; Jacquelynn Baas [Introduction]; Lawrence Alloway [Introduction];
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San Diego, California, United States
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The MIT Press, 1990-03-28. Paperback. New. New. In shrink wrap. Looks like an interesting title!
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The Independent Group: Postwar Britain and the Aesthetics of Plenty
por Robbins, David
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Owego, New York, United States
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Cambridge: The MIT Press. VG/VG. 1990. Hardcover w/DJ. Oblong 4to., 256 pp. .
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The Independent Group: Postwar Britain and the Aesthetics of Plenty
por Robbins, David
- Usado
- Capa dura
- first
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- Novo
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- First Edition
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- 9780262181396 / 0262181398
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- 1
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Southampton, New York, United States
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€ 118,25Frete grátis para USA
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The MIT Press, 1990. First Edition. Hardcover. Like New/Like New. First Edition, First Printing. Published by MIT Press, 1989. Quarto. Yellow cloth boards stamped in black with black endpapers. Book is like new; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. Dust jacket is like new with very light shelf wear. Some sticker residue on left flap. A fine copy of this art book on the history of the Independent Group and the rise of the Pop Art movement in Britain. 256 pages. ISBN: 0262181398. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton, New York. We Buy Books! Individual titles, libraries, collections. Message us if you have books to sell!
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The Independent Group: Postwar Britain and the Aesthetics of Plenty
por Alloway Lawrence, Banham Mary, Hamilton Richard, Holroyd Geoffrey, Cordell McHale Magda, Morland Dorothy, Paolozzi Edoardo, del Renzio Toni, Smithson Alison & Peter, Stirling James, Turnbull William, St. John Wilson Colin
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Milano, Italy
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€ 150,00€ 40,00 frete para USA
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M.I.T. Press, Cambridge, 1990. hardcover. fine. The Independent Group, or the IG, as it was called, is best known for having launched Pop Art. But the young artists, architects, and critics who met informally at London's Institute of Contemporary Arts in the early 1950s were actually embarked on a far more subversive and constructive mission than the founding of an art movement. Street-smart, anti-academic, and iconoclastic, they embraced Hollywood and Madison Avenue and rejected the traditional dichotomies between high and low culture, British and American values. They used their meetings and exhibitions to challenge the official modernist assumptions of British aesthetics and to advocate instead a media-based, consumer-based aesthetics of change and inclusiveness - an aesthetics of plenty. In doing so they drew upon Dadaist, Futurist, and Surrealist strategies to invigorate their alternative version of modernism - a version that today can be said to have insinuated the terms of postmodernism.,…
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€ 150,00
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