The Yellow Book. An Illustrated Quarterly.
por HARLAND, Henry (literary editor); BEARDSLEY, Aubrey (art editor)
- Usado
- Capa dura
- first
- Condição
- Veja a descrição
- Livreiro
-
London, London, United Kingdom
Formas de pagamento
Sobre este item
London, Elkin Mathews & John Lane; John Lane The Bodley Head, 1894-97. . First edition; 13 vols (complete), small 4to; illustrated throughout, with tissue-guards, advertisements, occasional foxing, Dutch bookseller's discreet labels to front pastedowns, minor dampstaining to lower right corner of vol. IX; publisher's pictorial yellow cloth blocked in black, spines darkened, some soiling and rubbing to covers, extremities a little bumped, light spotting to edges, offsetting to endpapers, partly unopened, overall very good.
A very good, complete run of the The Yellow Book, the quarterly that for many best enshrines the spirit of the Decadent movement and the 1890s. In April 1894 The Times described it as 'A combination of English rwodyism and French lubricity'. The Yellow Book was founded in 1894 by Beardsley and his friend Henry Harland, both keen on establishing an avant-garde organ that would capture the decadent & aesthetic gasp of the fin-de-siècle. Beardsley and the artist James McNeill Whistler approached the publisher John Lane with the idea to create a new quarterly journal that would put emphasis on both art and literature in equal measure. Lane agreed; Beardsley was, for the first four volumes, art editor and principal artist, whilst Harland oversaw the literary aspect.
The yellow cloth covers blocked in black were an intentional nod to the yellow covers of French and European novels, generally of a less than salubrious character. Beardsley's cover designs are striking examples of his illustrative art; flat perspective, stylised form, empty space and the novel application of dots. Inevitably however they also quickly courted controversy. Oscar Wilde, whom Beardsley had insisted to Lane should not be allowed to contribute, commented on the first volume's cover-art, 'a terrible naked harlot smiling through a mask, and with Elkin Matthews written on one breast and John Lane on the other'. The cover for Volume III, in which a lady's boudoir is illuminated by a pair of miniature street lamps, potentially suggestive of a 'lady of the night', unsettled many contemporary reviewers.
Beardsley's tenure only lasted for four volumes. Oscar Wilde's arrest at the Cadogan Hotel in April 1895, during which it is claimed he was holding a yellow book, and the surrounding scandal of his trial, led to a backlash against all those associated with his 'decadent' values, not least against the publishers of The Yellow Book. Lane sacked Beardsley in an attempt to ameliorate the angry mob (though he was commissioning works by the artist again within a month), and the magazine carried on without Beardsley at the helm, a lesser vessel perhaps, though it did at least bring on and champion more female contributors after his departure.
Under Beardsley's aegis, The Yellow Book had seen works by such artists as Charles Conder, William Rothenstein, John Singer Sargent, Walter Sickert, and Philip Wilson Steer. The literary content was no less distinguished; contributing authors to the series included: Max Beerbohm, Arnold Bennett, Baron Corvo, Ernest Dowson, Henry James, Richard Le Gallienne, Arthur Symons, H.G. Wells and W.B. Yeats.
A very good, complete run of the The Yellow Book, the quarterly that for many best enshrines the spirit of the Decadent movement and the 1890s. In April 1894 The Times described it as 'A combination of English rwodyism and French lubricity'. The Yellow Book was founded in 1894 by Beardsley and his friend Henry Harland, both keen on establishing an avant-garde organ that would capture the decadent & aesthetic gasp of the fin-de-siècle. Beardsley and the artist James McNeill Whistler approached the publisher John Lane with the idea to create a new quarterly journal that would put emphasis on both art and literature in equal measure. Lane agreed; Beardsley was, for the first four volumes, art editor and principal artist, whilst Harland oversaw the literary aspect.
The yellow cloth covers blocked in black were an intentional nod to the yellow covers of French and European novels, generally of a less than salubrious character. Beardsley's cover designs are striking examples of his illustrative art; flat perspective, stylised form, empty space and the novel application of dots. Inevitably however they also quickly courted controversy. Oscar Wilde, whom Beardsley had insisted to Lane should not be allowed to contribute, commented on the first volume's cover-art, 'a terrible naked harlot smiling through a mask, and with Elkin Matthews written on one breast and John Lane on the other'. The cover for Volume III, in which a lady's boudoir is illuminated by a pair of miniature street lamps, potentially suggestive of a 'lady of the night', unsettled many contemporary reviewers.
Beardsley's tenure only lasted for four volumes. Oscar Wilde's arrest at the Cadogan Hotel in April 1895, during which it is claimed he was holding a yellow book, and the surrounding scandal of his trial, led to a backlash against all those associated with his 'decadent' values, not least against the publishers of The Yellow Book. Lane sacked Beardsley in an attempt to ameliorate the angry mob (though he was commissioning works by the artist again within a month), and the magazine carried on without Beardsley at the helm, a lesser vessel perhaps, though it did at least bring on and champion more female contributors after his departure.
Under Beardsley's aegis, The Yellow Book had seen works by such artists as Charles Conder, William Rothenstein, John Singer Sargent, Walter Sickert, and Philip Wilson Steer. The literary content was no less distinguished; contributing authors to the series included: Max Beerbohm, Arnold Bennett, Baron Corvo, Ernest Dowson, Henry James, Richard Le Gallienne, Arthur Symons, H.G. Wells and W.B. Yeats.
Avaliações
(Entrar ou Criar uma conta primeiro!)
Detalhes
- Livreiro
- Shapero Rare Books (GB)
- Nº do estoque do livreiro
- 109599
- Título
- The Yellow Book. An Illustrated Quarterly.
- Autor
- HARLAND, Henry (literary editor); BEARDSLEY, Aubrey (art editor)
- Estado do livro
- Usado
- Encadernação
- Capa dura
- Local de publicação
- London, Elkin Mathews & John Lane; John Lane The Bodley Head, 1894-97.
- Observação
- Pode ser um conjunto de vários volumes e exigir postagem adicional.
Termos da venda
Shapero Rare Books
30 day return guarantee, with full refund including original shipping costs for up to 30 days after delivery if an item arrives misdescribed or damaged.
Sobre o Vendedor
Shapero Rare Books
Membro de Biblio desde 2020
London, London
Sobre Shapero Rare Books
Specialising in rare books on Travel & Voyages, Natural History, Literature (including modern first editions), Children's Books, Guide Books, Judaica & Hebraica, titles of Russian interest, and Islamica.
Glossário
Alguns termos que podem ser usados ??nesta descrição incluem:
- Edges
- The collective of the top, fore and bottom edges of the text block of the book, being that part of the edges of the pages of a...
- New
- A new book is a book previously not circulated to a buyer. Although a new book is typically free of any faults or defects, "new"...
- Cloth
- "Cloth-bound" generally refers to a hardcover book with cloth covering the outside of the book covers. The cloth is stretched...
- Unopened
- A state in which all or some of the pages of a book have not been separated from the adjacent pages, caused by a traditional...
- Miniature
- A book that is less then 3 inches in width and ...
- Rubbing
- Abrasion or wear to the surface. Usually used in reference to a book's boards or dust-jacket.