David Goes to School

New York, NY: The Blue Sky Press, 1999. First edition. First printing [stated]. Hardcover. Very good in very good dust jacket. Signed by author. Signed on title page.. Shannon, David. Sewn binding. Cloth over boards. With dust jacket. 32 p. Color illustrations. David's teacher has her hands full. From running in the halls to chewing gum in class, David's high-energy antics fill each school day with trouble-and are sure to bring a smile to even the best-bahaved reader. From Wikipedia: "David Shannon (born October 5, 1960, Washington, D.C. ) is an American author and illustrator of children's books. Shannon grew up in Spokane, Washington. He graduated from the Art Center College of Design and now lives in Los Angeles. In 1998 he won the Caldecott Honor for his No, David! . He has also written A Bad Case of Stripes, How Georgie Radbourn Saved Baseball, and The Amazing Christmas Extravaganza. Shannon illustrated Audrey Wood's The Bunyans, various books by Jane Yolen including The Ballad of the Pirate Queens and Encounter, as well as Melinda Long's How I Became a Pirate and Pirates Don't Change Diapers. David Shannon was born in Washington D.C., but he spent his childhood in Spokane, Washington. In an interview with Sonia Bolle in the Children's Literature Review (CLR), he said, "I loved Oliver Twist, but I liked the Artful Dodger more than Oliver. And I always thought the villains in Disney Movies were really cool." Shannon said that this fondness for villains made him realize as a child that "you need both sides for a good story." As a student in high school, he decided early on that he wanted to have a career in an art field. Shannon enjoyed making his own illustrations to books that he was reading in high school. [2] Shannon attended art school at the Art Center College of Design in Pasadena, California, and decided to focus on learning about political illustrations. In 1983, Shannon moved to New York City and began working for various magazines and newspapers. Two of his major jobs were for the New York Times and the Book Review. These jobs brought Shannon's work increased exposure. His first book of illustrations was Julius Lester's How Many Spots Does a Leopard Have? (1989). Shannon's first book, was How Georgie Radbourn Saved Baseball (1994), where Shannon was able to incorporate his dark painting style, which came from his love of villains, with a story about baseball. Shannon's book No, David! (1998)was named a Caldecott Honor Book in 1999. This book is the story of a mischievous child whose mother is always telling him 'no' But she reassures him at the end when she finally says, "Yes, David, I love you." According to a review in the CLR, "Readers won't be able to resist taking a walk on the wild side with this little rascal, and may only secretly acknowledge how much of him they recognize in themselves." No, David! (1998) Shannon followed No, David! (1998) up with David Goes to School (1999) and David Gets in Trouble (2002). The latter was reviewed by Adele Greenlee, who stated that, "Children who enjoyed No, David! (1998) and David Goes to School (1999) will welcome this lighthearted sequel." An entry in the Eight Book of Junior Authors and Illustrators states, "Shannon tells his stories with vibrant, imaginative pictures. Working with acrylic paints, he creates characters and settings that both illustrate and expand the story being told. His artwork is richly colored, and the results can be funny, mischievous, ironic, sensational, spooky, serious, even epic." Shannon's work has been recognized by the American Library Association and the School Library Journal. As Dwight Garner said, "David Shannon is among this country's most respected children's book illustrators; in a field that has nearly as many award ceremonies each year as the television industry does, Shannon has taken home most of their prizes " In The Rain Came Down (2000), an unexpected summer shower causes great chaos in a small neighborhood. This huge shower causes a line of temper tantrums, but when the clouds suddenly break, all of the sour moods go away. A review for CLR said, "Shannon expertly uses vertiginous angles as he builds suspense, then calms things down with a set of subdued portraits and a view of.