The Centaur. The Bacchante por Maurice de Guerin translated by T.S.Moore - 1899

UsedVeryGood. signs of little wear on the cover.

UsedLikeNew. Remainder mark

New. .

Quale Pr. New. Special order direct from the distributor

Paperback / softback. New.

Portland: Thomas B. Mosher 1903, 3rd Ed.. (Paper covers) Very good in very good dust jacket. Illustrations, notes. The dust jacket is worn and discolored on the front, the lettering on the spine is rubbed off, and there is a previous owner's name on the front free endpaper. "Four hundred and twenty-five copies of this book (third edition) have been printed on Japan vellum, and type distributed, in the month of August, A.D. MDCCCCIII, at the press of George D. Loring, Portland, Maine". Includes Bacchante & Centaur. Translated by Lucie Page. (Fiction, Poetry).

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

hardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

Chatwin Books, 2018. Trade Paperback. New. 8vo - over 7¾" - 9¾" New!

New York: Watson - Guptill, 1971. cloth, dust jacket. 4to. cloth, dust jacket. 376 pages. First U.S. edition. Jacket lightly soiled, else a fine copy. Traces the development of the private press over the last 500 years. 83 figures in the text and 72 plates. Better printed than the second edition and containing some material not present in the first edition and thus still desirable.

Abattoir Editions, 1982. First Edition. Trade Paperback. Very Good. 4to - over 9¾" - 12" tall. One of 150 numbered copies printed by Harry Duncan; this being #84. 9.25 X 12 inches. 40pp., bound in tan wraps with mounted cream printed paper label wrapping around the spine and front cover. Letterpress printed on Japanese Etching paper, from Poliphilus, Blado, and Fournier Ornate types; with 2 woodblock prints by Michael McCurdy. Faint dampstaining to the text margins of the fore-edge, else Very Good.

Wessel & Lieberman Booksellers, 2006. Limited Edition. Wraps. Fine. [4]pp. Black & white frontispiece by Shinuske Minegishi, reproduced from the original engraving. One of 75 copies (from an edition of 100, signed and numbered by Minegishi). Designed by Rollin Milroy and printed by David Clifford at his Black Stone Press. Sewn into a Canson paper wraps. A Fine copy. // A previously unpublished essay by the artist, paying homage to a group of six Japanese wood engravers 'who were responsible for reviving the art form in that country'. Published to accompany the artist's first solo exhibition in the United States, at Wessel & Lieberman Booksellers, November 2006.

Lincoln: Penmaen Press, 1978. First Edition, one of 500 copies printed. This copy SIGNED by McCurdy twice, at Title and Afterword. Woodcuts by McCurdy. Bibliographically describes all Penmaen Press books, broadsides and ephemera 1968-1978, with additional items. Includes 16 pp. of photographs of contributors: Peich, McCurdy, Lynd Ward, Allen Ginsberg and others. A demonstrable work of love. 9½ x 6½.. Near Fine original blue cloth-covered boards blind stamped with gilt lettering to spine in like dust jacket.

The Easton Press, The Collector's Library of Famous Editions, 1992 (1942). First Thus; Collector's Edition. Translated by Havelock Ellis. Illustrated by Berthold Mahn. Hardcover. Issued without dust jacket. Used - Fine, "Like New" condition. Appears unopened / unread. Binding and text block are tight, bright, and clean with no ownership markings or bookplates. Bound in full (genuine) leather with hubbed spine. All edges gilt. Embossed in 22kt gold on the spine and front and back covers. Heavy duty binding boards. Printed on acid-neutral, archival paper. Smyth sewn with concealed muslin joints, silk moire fabric end leaves, and permanent satin ribbon marker. Notes From The Archives sheet laid in. Photo is of the copy we have at Barbed Wire Books. A gorgeous copy.

Philadelphia: [privately printed] Beck Engraving Company, 1901. First Edition. Hardcover. Near fine. Small quarto, unpaginated. Hundreds of black and white halftone plates, depicting the various paintings. On the opposite leaves, printed in red ink, are the painting titles and artists. A front blank contains a tipped-in photograph of Schemm, surrounded by his bounty of paintings. A crisp, clean copy in the publisher's red cloth, stamped in gilt. Very minor dust-soiling to the cloth, and an owner's name on the front free endpaper, else a rather crisp, sharp example; near fine. A very nice production.

Santa Barbara , CA: Lord John Press, 1978. # 29 of 275 copies handbound by Vance Gerry and SIGNED BY AUTHOR at Limitation Page. In quarter brown cloth and decorated boards, Fine. . SIGNED BY AUTHOR. Limited and Numbered Signed 1st Edition. Quarter Cloth. Fine/No Jacket, As Issued. 8vo - over 7¾" - 9¾" tall. Limited Edition.

Oakland, CA: Rather Press Addenda, 1989. One of only 40 unnumbered copies, SIGNED BY AUTHOR at title page -"Compliments of Lois Rather". 26 pages, illustrated front cover and with two color photos. Red string-tied wrappers, Near Fine, tiny tear top edge rear wrapper. OCLC locates only 3 copies, at Mills College, Oakland Publ. Lib., and UCal/Berkeley. . SIGNED BY AUTHOR. Limited Edition. String Tied. Near Fine/No Jacket, As Issued. 12mo - over 6¾" - 7¾" tall.

London: Selwyn & Blount Ltd. #53 of 100 copies. [6] pages : 1 color illustration by Alec Buckels. No date (1924). Fine in string-tied wrappers. SCARCE. . Limited and Numbered 1st Edition. String Tied. Fine/No Jacket, As Issued. 5" x 3 3/4". Limited Edition.