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Cavatine nell' Inganno Felice
por PAISIELLO, Giovanni 1740-1816 and Sebastiano Nasolini [?]1768-1798
- Usado
- Condição
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- Livreiro
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Syosset, New York, United States
Formas de pagamento
Sobre este item
Paris: Pleyel [PN 499.D.], 1800. Folio. Disbound. 7 pp. "No. 4" printed to upper left corner of first page. Spine reinforced with tissue; publisher's facsimile signature handstamp to lower margin first page; slightly soiled and browned; minor offsetting.
Together with:
NASOLINI, Sebastiano (?1768-1798)
Aria nel Due Baroni ... chanté par la Signora Strina-Sacchi arrangée pour le Piano Forté par Thollé[!]. Paris: Pleyel [PN 511.G.], [ca. 1800]. Folio. Disbound. 7 pp. "No. 7" printed to upper left corner of first page. Spine and edges reinforced with tissue, partially obscuring music on pp. 5-6; publisher's handstamp to p.1; creased; slightly soiled. "Paisiello's popularity was at its height in the last two decades of the 18th century. During that period his dramatic works were as much in demand outside Italy as within it. In Vienna, for example, the Italian opera company installed by Joseph II performed during the 1780s more works by Paisiello than by any other single composer. Londoners too were particularly partial to his operas. The decline in the demand for his music, which became noticeable everywhere after about 1800, was a sign that taste had changed. The works that retained their popularity longest were his best comic operas, including Il barbiere di Siviglia, L'amor contrastato and Nina, but even these went out of the repertory after the 1820s. Thereafter he was remembered as one of the main names in the so-called 'Neapolitan school'. Promoters have revived a few of his operas in the late 20th century, kindling a renewed flicker of public interest." Michael F. Robinson in Grove Music Online.
"Nasolini's early operatic output suggests a devotion to serious opera. His first work, a setting of Metastasio's Nitteti, was performed in Trieste during spring 1788. Following its success, he produced a number of other opere serie, only occasionally interrupted by comic operas ...By the time his Andromaca was performed in London in May 1790, the Public Advertiser could call him 'the most fashionable composer now extant in Italy'." John A. Rice in Grove Music Online.
Together with:
NASOLINI, Sebastiano (?1768-1798)
Aria nel Due Baroni ... chanté par la Signora Strina-Sacchi arrangée pour le Piano Forté par Thollé[!]. Paris: Pleyel [PN 511.G.], [ca. 1800]. Folio. Disbound. 7 pp. "No. 7" printed to upper left corner of first page. Spine and edges reinforced with tissue, partially obscuring music on pp. 5-6; publisher's handstamp to p.1; creased; slightly soiled. "Paisiello's popularity was at its height in the last two decades of the 18th century. During that period his dramatic works were as much in demand outside Italy as within it. In Vienna, for example, the Italian opera company installed by Joseph II performed during the 1780s more works by Paisiello than by any other single composer. Londoners too were particularly partial to his operas. The decline in the demand for his music, which became noticeable everywhere after about 1800, was a sign that taste had changed. The works that retained their popularity longest were his best comic operas, including Il barbiere di Siviglia, L'amor contrastato and Nina, but even these went out of the repertory after the 1820s. Thereafter he was remembered as one of the main names in the so-called 'Neapolitan school'. Promoters have revived a few of his operas in the late 20th century, kindling a renewed flicker of public interest." Michael F. Robinson in Grove Music Online.
"Nasolini's early operatic output suggests a devotion to serious opera. His first work, a setting of Metastasio's Nitteti, was performed in Trieste during spring 1788. Following its success, he produced a number of other opere serie, only occasionally interrupted by comic operas ...By the time his Andromaca was performed in London in May 1790, the Public Advertiser could call him 'the most fashionable composer now extant in Italy'." John A. Rice in Grove Music Online.
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Detalhes
- Livreiro
- J & J Lubrano Music Antiquarians LLC
(US)
- Estoque do vendedor nº
- 36021
- Título
- Cavatine nell' Inganno Felice
- Autor
- PAISIELLO, Giovanni 1740-1816 and Sebastiano Nasolini [?]1768-1798
- Estado do livro
- Usado
- Quantidade Disponível
- 1
- Editorial
- Pleyel [PN 499.D.]
- Local de publicação
- Paris
- Data de publicação
- 1800
- Palavras-chave
- arrangements, 19th centuiry Italian vocal music
Termos da venda
J & J Lubrano Music Antiquarians LLC
All items may be returned within 7 days of receipt, packed, shipped and insured as received.
Sobre o Vendedor
J & J Lubrano Music Antiquarians LLC
Membro de Biblio desde 2008
Syosset, New York
Sobre J & J Lubrano Music Antiquarians LLC
Established in 1977, our firm is recognized as one of the leading international dealers in musical autographs and manuscripts; rare printed music; rare books, prints, drawings and ephemera relating to music and dance dating from the 15th to the 20th centuries.We were honored to be interviewed by Final Note Magazine. To read the article please go to the following URL: http://www.finalnotemagazine.com/music-antiquarians-john-and-jude-lubrano/
Glossário
Alguns termos que podem ser usados ??nesta descrição incluem:
- Folio
- A folio usually indicates a large book size of 15" in height or larger when used in the context of a book description. Further,...
- Spine
- The outer portion of a book which covers the actual binding. The spine usually faces outward when a book is placed on a shelf....
- Soiled
- Generally refers to minor discoloration or staining.
- Facsimile
- An exact copy of an original work. In books, it refers to a copy or reproduction, as accurate as possible, of an original...
- Edges
- The collective of the top, fore and bottom edges of the text block of the book, being that part of the edges of the pages of a...