Bakhtin and the Visual Arts (Cambridge Studies in New Art History and Criticism) por Haynes, Deborah J

Cambridge University Press. Used - Good. Ships from UK in 48 hours or less (usually same day). Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire, United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks, rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry.

Cambridge: Cambridge University Press, 1995. Hardcover. VG. Black cloth, cardinal and black dust jacket, 217 pp., 29 BW illus. "The first book to assess the relevance of Mikhail Bakhtin's ideas [Russian philosopher, 1895-1975] as they relate to painting and sculpture. First published in the 1960s, Bakhtin's writings introduced the concepts of carnival and dialogue or dialogism, which have had significant impact in such diverse fields as literature and literary theory, philosophy, theology, biology, and psychology. In his four early aesthetic essays, written between 1919 and 1926, and before he began to focus on linguistic and literary categories, Bakhtin worked on a larger philosophy of creativity, which was never completed. [This] in-depth study of his aesthetics, especially his theory of creativity, analyzes its applicability to contemporary art theory and criticism. With such categories as answerability, outsideness, and unfinalizability, Bakhtin, the author posits, offers a conceptual basis for… Ler mais

a fun read that's mind stretching. text is unmarked slight tear upper left front corner

Cambridge University Press, 1995. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:9780521473927

1995. . Hardcover. Good/Very Good . In Good Dustwrapper. Large 8vo. - Edges of boards rubbed and marked - Top edge of text bloxk lightly foxed - Dustwrapper a little rubbed, spine faded, and minor crease to front flap - Book ow/ solid, clean and bright in untorn wrapper - xvi/217 pages

Cambridge: Cambridge University Press, 1995. Hardcover in very good condition. Jacket has some light edgewear and a few faint creases. One or two minor bumps and marks on the hardcover edges. Foxing on the page block and FEP; previous owner's details penned on the latter. Binding is sound; all content is clear. CM. Hardcover. Very Good. Used.

Cambridge University Press. hardcover. New. New. In shrink wrap. Looks like an interesting title!

Hard Cover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Bakhtin and the Visual Arts, first published in 1995, assesses the relevance of Mikhail Bakhtin's ideas as they relate to painting and sculpture. Deborah Haynes's in-depth study of Bakhtin's aesthetics, especially his theory of creativi

Cambridge University Press, 1995. Hardcover. New. 217 pages. 10.25x7.25x1.00 inches.

Hardback. New. Bakhtin and the Visual Arts, first published in 1995, assesses the relevance of Mikhail Bakhtin's ideas as they relate to painting and sculpture. Deborah Haynes's in-depth study of Bakhtin's aesthetics, especially his theory of creativity, analyses its applicability to contemporary art theory and criticism