Albert and the Whale

Hardback. New. In 1520, Albrecht Durer, the most celebrated artist in Northern Europe, sailed to Zeeland to see a whale. As the cynosure of the Renaissance, no one had painted or drawn the world like him. He had drew a hare or a rhinoceros in the way he painted saints and madonnas. They were all one and the same to him: the wing of a bird or the wing of an angel; a spider crab or a bursting star like the augury of a black hole, they were part of a connected world. Everything had meaning. But now he was in crisis. He had lost his patron, the Holy Roman Emperor. He was in his late middle age. He was still a journeyman, a wanderer. In the shape of the whale, he saw his future. A final ambition. An ultimate connection. Durer was the first artist to truly employ the power of reproduction. He reinvented the way people looked at, and had access to, art. He painted signs and wonders; comets, devils, horses, nudes, dogs, blades of grass so accurately that even today they seem hyper-real, utterly modern images. Most startling and most modern of all, he painted himself, at every stage of his life. But he also painted states of mind. Durer's engraving, Melencolia I, remains one of the most cryptic works of art ever created. Its genderless angel seems to contemplate its own existential self. The melancholy of the modern world is predicted and invested in this one extraordinary and still unexplained image. Albert and the Whale, explores the work of this remarkable man, through a personal lens. Drawing on Philip's experience of the natural world, and of the elements that shape our contemporary lives, from suburbia to the wide open sea, Philip will enter Durer's time machine. As the radical modern philosophy, Tim Morton says, 'Art is from the future'. Morton speaks of a new way in which we must see the natural world, as dark nature, in this, our new age of the Anthropocene, of the Sixth Extinction.