Resultados da Pesquisa: Autores começando com S de Brian Cassidy Bookseller at Type Punch Matrix

San Francisco: Twin Peaks Press, 1979. First edition in English. Near fine.. First edition thus of this parallel text translation of Sabines's poems, warmly inscribed by translator Philip Levine to contemporary American poet Stanley Plumly. 9'' x 6''. Text in Spanish and English. Original printed orange wrappers. 87, [1] pages. Inscribed by Trejo and Levine on title page: "For Stan & Hope from your friends Ernesto, Philip, & Tarumba." Additionally signed "Philip Levine" above title. Spine sunned, pages lightly toned.

Continental Classics, 1969. First American edition. Near fine.. Late '60s sleaze erotica featuring a wicked psychiatrist. Wraps. 16mo. Bright blue printed wraps. Minor edgewear and page toning. Near fine. 160pp.

Tokyo: Sokyu-sha, 2007. First Edition. Near fine.. First printing of these color photographs taken in and around the Tokyo suburbs at night and early morning; exterior scenes of homes and vehicles with no visible inhabitants. Selected by Martin Parr as one of the best books of the decade. 57 color plates. Hardcover. Oblong 4to. Pictorial boards, no dust jacket as issued. [84pp.] Near fine.

(Santa Fe): Tooth of Time Books, 1981. First Edition. Near fine.. First printing of this collection of poetry, drama, and drawings by Sanaki. Wraps. 8vo. Perfect bound printed wraps. Near fine or better. Bright, clean throughout. Good and sound. Unpaginated. Preface by Gary Snyder.

Cleveland: Renegade Press, 1964. First Edition. Near fine.. Collection of verse from Cleveland poet Salamon, printed letterpress and with two block prints by d.a. . levy. [Taylor & Horvath P-31]. Wraps. 12mo. Original stiff yellow patterned letterpress stapled wraps. Trace wear to yapped edge, mild rubbing. Near fine. One of 100 copies. [24]pp.

Los Angeles: Red Hen Press, 2004. First Edition. Very good.. Inscribed first printing of this collection of poems by Salerno. With praise from Anselm Hollo, Lewis MacAdams, and John Ashbery on back cover. Wraps. 8vo. Photographic wraps. Very good. ASSOCIATION COPY: INSCRIBED by Salerno to poet Terence Winch, at half title. Minimal edgewear to wraps. Interior bright and clean, with some penciled underlining here and there. Good and sound. 65pp.

(Great Crosby): (Cracked Bell Press), 1999. Near fine.. Scarce signed handmade artist's book on the subject of itself, produced in a limited edition of just 20 copies. 7'' x 7.75''. Original red and green handmade paper wrappers, sewn with red thread. Black and white illustrations. This copy numbered 14/20 and signed by Salisbury at colophon. Light wear, minor creasing to fore-edge.

(Corinth, VT): (The Black Mountain Press), 1971. Reprint. Very good.. Article reprinted from THE NATION, January 4 1971. An essay in anarchist theory in a charming edition. "The coventional view of anarchy is very simple... All decent people can understand propositions so simple and self-evident; therefore, people who actually advocate anarchy must be either wicked or mentally unbalanced. The conventional view is nevertheless incorrect." OCLC notes four copies. Wraps. 8vo. Saddle-stapled wraps. Printed 90º to the left throughout. Very good. Light curling to edges, some mild toning here and there. Overall clean and bright throughout. 9pp.

(New York): (Fuck You Press), 1964. Near fine.. Collection of verse from Sanders and his notorious press. According to Sanders, the inspiration for these poems was "a guy who worked at the 2-for-25-cent hamburger place next door [and] came in for cigarettes. I asked him why he was barefoot. He replied, 'I have a date with Toe Queen, and my date likes dirty feet." A well-preserved example. 11'' x 8.5''. Original lavender side-stapled self-wrappers. Mimeographed throughout. [2], 14, [2] pages (including covers), generally rectos only. Minor edgewear, toning. Else clean and sound.

New York City: Fuck You Press, 1964. First edition. Very good.. Complete set of Ed Sanders's short-lived "Quote of the Week" from his notorious press, featuring three brief selections from Harry Fainlight, John Ashbery, and Kenneth Koch. Run off over the course of several weeks in the fall of 1964, these three gossipy, insular, self-referential broadsides are among the most ephemeral and quintessentially FU productions to be pulled off of Sanders' Lower East Side mimeograph. The first, dated Sept. 5th, is by Harry Fainlight (1935-1982) and transcribes a piece of a conversation Fainlight delivered at Bickfords in Times Square: "I have piles / I thought it was / gonorrhea / it's terrible / I have to / do all / kinds of / sordid blow job / scenes / now." The second, dated Sept. 14th, records poet John Ashbery's reaction (overheard at a party at Bill Berkson's on East 57th Street) to Ed Sanders' recently-issued TOE-QUEEN POEMS. And the third, dated September 23rd, finds Kenneth Koch having just read… Ler mais

(New York): (Peace Eye Bookstore) / [Fuck You Press], 1965. First printing. Rare true first edition of this compilation of lyrics of Sander's rock band, printed by his notorious press, and "sold at performances and in the Peace Eye book catalogs." Prepared by Ed Sanders, Ken Weaver, and Betsy Klein, with notes by Sanders. Includes table of contents and list of the Fugs' then-current band lineup: Tuli Kupferberg, Ed Sanders, Len Weaver, Steve Weber, Peter Stampfel, Vinny Leary, and Moe Mahoney. Lyrics credited to various band members except where copyright is shared with William Blake and God. One of the more elusive titles from the FU Press. 11'' x 8.5''. Original side-stapled blue self-wrappers. Mimeographed throughout on multi-colored stock. [3], 27 pages (including cover) printed rectos only.

New York: Fuck You Press, 1962. First edition. Very good plus.. An early and scarce publication from Sander's press, a memorial anthology "printed, collated, & stomped out at a secret location in the lower east side" just after Marilyn Monroe's death in August, 1962. 11'' x 8.5''. Original salmon side-stapled self-wrappers. Mimeographed throughout. [20] pages (including covers), generally rectos only. Touches of edgewear. Small spot of soil to rear wrapper. Else sound and bright.

(Detroit): (Artists' Workshop Press), 1966. Later edition. Near fine.. First printing of the Artists' Workshop Press edition of 1966, from the original Fug Press edition of 1965. Prepared by Ed Sanders, Ken Weaver, and Betsy Klein, with notes by Sanders. Includes table of contents and list of the Fugs' then-current band lineup: Tuli Kupferberg, Ed Sanders, Len Weaver, Steve Weber, Peter Stampfel, Vinny Leary, and Moe Mahoney. Lyrics credited to various band members except where copyright is shared with William Blake and God. 11'' x 8.5''. Original side-stapled yellow self-wrappers. Mimeographed throughout on multi-colored stock. [3], 27, [2] pages printed rectos only. One of 500 copies. Mild toning, a couple tiny chips to front wrapper. Else clean and sound.

(Santa Barbara): Am Here Books/Immediate Editions, 1981. First Edition. Very good.. Fist edition of this collection of poems, some reproduced in Sanders's handwriting, with several drawings. In addition to his original work, Sappho's Hymn to Aphrodite and Poem 31 ("Phainetai moi...") are both reproduced in the original Greek, with Sanders' English translations and grammatical notes looping around and through the text. 4to. White stapled wraps. Lightly shelfworn and toned along edges; corners bumped and rubbed. Interior pages very faintly toned on endpapers only; otherwise clean and unmarked. Unpaginated.

(New York): Fuck You Press, 1962. First edition. All issues near fine or better.. Rare complete 13-issue run of Sanders's infamous little magazine of the mimeo revolution - in extraordinary condition. A difficult run to assemble under even the best of circumstances - the first issue was handed out for free on the streets of the Lower East Side, both the "Mad Motherfucker" and final issues were subject to confiscation during the Peace Eye raid that ultimately killed FU, and issue 5.1 remains almost inexplicably elusive - this set was put together by the original purchaser and literally pulled from a cabinet in the Village where it had been stored undisturbed for decades. As such, the condition of nearly every issue is practically as the day they were printed. In particular, the "Mad Motherfucker" issue, with its fragile thermofax cover by Andy Warhol, is stunningly well-preserved. Not only does the cover remain mounted to all staples, but it lacks any of the typical chipping or creasing. It is sharp… Ler mais

Woodstock and New York: Overlook Press, 2000. First Edition. Near fine in a near fine jacket.. A meditation in poem form on the Beat poet and cultural icon from Ed Sanders, who was close to Ginsberg. A nice association, inscribed to Ken Mikolowski, who with his wife Ann founded the Alternative Press. For more than 30 years, the Alternative Press published unbound letterpress-printed mail art, including the work of Beat and Black Mountain writers and poets from their native Detroit. Ginsberg was a frequent collaborator. Hardcover. 8vo. Publisher's quarter cloth over green boards in original dust jacket. INSCRIBED by Sanders at title page, "What does it/ all mean?/ For Ken--/ -w/ many thanks/ for all the good times/ over all the years/ Love,/ Ed/ 11-29-00." Trivial touches of edgewear, else bright and sharp. Near fine. 252pp. Alternative Press printing of Ginsberg poem "Starry Rhymes," 4" x 6.5" approx. laid in.

New York: Fuck You Press, 1965. First edition. Very good.. Scarce final issue (the fourteenth) of Sander's legendary and infamous mimeo, printed "At a Secret Location on the Lower East Side" - from the library of poet and publisher Kenward Elmslie. In January 1966, Sander's Peace Eye Bookstore was raided by police for distribution of obscene material and copies of FU (including this final issue) were confiscated. It seems reasonable to assume this issue's scarcity (and its terminality) are directly related to this incident. Contributors to this installment include Ted Berrigan, John Wieners, Al Fowler, Gilbert Sorrentino, Robert Kelly, and others - including Joe Brainard, whose longtime partner Kenward Elmslie's copy this is. Along with the debut and Mad Motherfucker (with its infamous Warhol cover, which undoubtedly contributed to the Peace Eye raid) issues, one of the most difficult numbers of FU to acquire. 11'' x 8.5''. Side-stapled pictorial wraps. Mimeographed throughout. Cover by Sanders.… Ler mais

(Santa Cruz): (Greenhouse Review Press), 1981. First Edition. Very good +.. Inscribed first edition of an early small-run book of verse from Santos, with a nice association, presented to his father. Wraps. Small slim 4to. Paper wraps with French flaps. Very good plus or better. ASSOCIATION COPY. INSCRIBED by Santos at title page, to his father: "For Dad and Lucia / with my love, / Rod." Light touches of soil to wraps. Interior bright, clean throughout. Unpaginated. One of 275 copies.

np: np, 2007. Limited ed. Near fine.. Inscribed limited edition series of 51 sonnets by Sargent. Cover art by Alaina Dias Lara, with a letterpress cover by Alderwood Press. Wraps. Square 16mo. Screw-bound wraps. Near fine. INSCRIBED by Sargent to title page: "For Dave / because we can't / stop talking..." Light touches of shelfwear to wraps. Clean throughout. Unpaginated. No. 176 from an edition of 275 copies. Book design by Nancy Wheaton.

New York: Lines, 1966. First Edition. Very good +.. Minimalist and concrete verse from Saroyan's own press in the mode of the poet's classic COFFEE COFFEE. With printed dedication to Clark Coolidge. Wraps. Small 8vo. Stapled wraps. Very good plus. Touches of soil to wraps. SIGNED/lettered by Saroyan to first page, with a large "A." Internally bright and clean. Unpaginated.