Resultados da Pesquisa: Autores começando com B de Brian Cassidy Bookseller at Type Punch Matrix

[Marseille]: Andre Dimanche Editeur, 1985. First Edition. Fine.. Scarce signed limited first edition of Bailly's prose poem ("Gentle Rain") with three exquisite color woodscuts by Voss, all beautifully printed at the workshop of the venerable Clots, Bramsen & Georges. 4 loose 4-leaf, 8-page folio signatures in titled french-flap folder wrappers with original glassine jacket, all laid into blue cloth clamshell and all as issued. Very fine. One of 150 numbered copies, this #25, signed by both author and artist.

n.p.: n.p., 2006. First edition. Near fine.. Photographs taken in Greenwich Park in London and in the Bois de Cambre in Brussels by the Belgian architect and photographer. Ghostly images of the subjects that suggest a cohesive panorama despite being vastly different locations. 5.75'' x 8''. Original pictorial wrappers. [32] pages. One of 120 numbered but unsigned copies, this # 22, from a total edition of 250. Light wear to corners. Very faint toning to endpapers. Clean and sharp overall.

Hamburg: Anatol AV und Filmproduktion, 1977. Near fine.. First edition of arguably Baldessari's most desirable artist's book, and one of the best of the 1970s. Single black-and-white images appropriated from television are paired with single words superimposed in yellow that (as the title explains) form a sentence of thirteen parts, with twelve alternate verbs. Enigmatic and challenging: "the form [...] successfully liberates it from its origins as a wall piece, and reinterprets its contents through a historical book structure" (Phillpot). 4'' x 5.25'' (folded), 46'' x 60'' (unfolded). Series of four nested accordian-fold that extend into a crucifom, all housed in black printed folded portfolio. Mild, shelfwear rubbing to portfolio. Else bright, sound, and clean.

(New York): Finch College Museum / Istituto Italiano di Cultura, 1973. First edition. Very good plus.. Uncommon catalogue of Futurist-influenced visual poetry throughout the greater part of the twentieth century. Catalogue of an exhibition held in conjunction with the eighth triennial congress of the Associazione Internazionale per gli Studi di Lingua e Letteratura Italiana in April 1973. Ballerini's introduction and assorted artist biographies and statements are followed by an anthology of essays, beginning with excerpts from Marinetti's literary manifesto and including pieces by Anna and Martino Oberto, Ugo Carrega, Mario Diacono, Daniela Palazzoli, E. Miccini & M. Perfetti, and Arrigo Lora-Totino. 11'' x 8''. Original stiff paper wrappers with plastic comb binding. Illustrated throughout. 78 pages. Moderate soil to covers and edgewear.

(New York): (Castelli Graphics), 1984. Fine.. Scarce catalogue of an exhibition introducing eight mid-'80s photographers from West Berlin to the American public. Photographers include Gosbert Adler, Dieter Binder, Uschi Blume, Friedhelm Denkeler, Ulrich Görlich, Wilmar Koenig, Michael Schmidt, and Klaus-peter Voutta. 8.75'' x 8.75''. Original saddle-stapled printed yellow wrappers. Illustrated with black and white photographs, one in color.

San Francisco: Banana Productions, 1977. Very good plus.. An irreverent and sometimes explicit and disturbing Dada take on FILE Magazine, which was itself a parody of LIFE Magazine. This periodical was founded on mail art, and also includes glimpses of Fluxus, collage, and concrete poetry. It also features parodies of mid-20th century advertisements. 11'' x 8.5''. Original pictorial wrappers, perfect-bound. Endpapers with repeating pattern of high-heeled shoe. Illustrated throughout in black-and-white. 98 pages. Numbered "498" in red ink to first page. Some mild scoffing to edges, corners and spine ends lightly bumped. Else sound and bright.

New York: Monthly Review Press, 1961. Second edition. Very good.. Second edition with new preface by Baran. Discussion of the Cuban Revolution by this Marxist economist. Wraps. 8vo. Saddle stapled printed wraps. A very good copy. Mild touches of soil to wraps, toning at edges. Interior bright, clean throughout. Good and sound. 45pp.

Milan: Baldini & Castoldi, 1969. First Edition. Near fine in a near fine jacket.. First printing, with 46 black and white photographs and montages by Baranzelli, all depicting an uncredited and unclothed Lady, shadowed by or embedded in forest glades. Images evoke a gentle moodiness: "a dream of love" ("sogno d'amore"), as Chiara's introduction has it. Text in Italian, with a French epigraph by Paul Valery. Hardcover. Folio. Burgundy cloth boards in black and white photographic dust jacket. Very mild edgewear. Pages very faintly toned along edges.

(Austell, GA): (Sweetwater Press), 1976. First Edition. Very good.. Inscribed first printing of this sollection of original poems by Barks. A nice inscription, quoting the Persian poet Rumi, the English renderings of whose work Barks is best-known for. Wraps. 8vo. Saddle-stapled wraps. Very good. INSCRIBED by Coleman to title page: "For Peter, / Rumi says, / 'The elusive ones finally meet.' / Coleman." Wraps' edges sunned, with mild creasing near spine. Clean and unmarred throughout. Unpaginated.

(London): Curiously Strong, 1978. First Edition. Near fine.. Inscribed first edition of sonnets by this English poet. One of 200 copies. Wraps. 8vo. Saddle-stapled pictorial wraps. Near fine. INSCRIBED by Barnett to flyleaf. Mild rubbing and trace soil to wraps. Interior bright, clean throughout. Good and sound. Unpaginated.

(Tokyo): Uplink, 2005. First Edition. Fine.. Artist-book exhibition catalog for Barney's traveling show of 2005-06. Wraps. 8vo. Flexible plastic wraps. 161pp. With full-color illustrations. Fine. SIGNED by Barney to title page.

[Forte dei Marmi, Italy]: [Agenzia Neoista Italiana / Vittore Baroni], 1984. First Edition. Near fine.. Rare Neoist mail art and zine assemblage. Neoism - equal parts parodic art movement and subcultural affiliation - drew electic inspiration from the Fluxus, Dada, conceptual art, and Language poetry movements, reaching a peak of activity in the early 1980s followed by schism and decline. This collection is one of a long-running series of limited-edition mailings organized by Baroni beginning in the late '70s: "This tourist portfolio commemorates the first international flight to Akademgorod (the Promised Land of Neoism) as organized in January 84 by Agenzia Neoista Italiana." Contributors include Jurgen Olbrich, Clemente Padin, Henning Mittendorf, Emilio Morandi, David Zack, Carlo Pittore, Boris Wanowitch, Eva Lake, Ginny Lloyd, Al Ackerman, Pete Horobin, and "Monty Cantsin;" the latter was an "open pop star" identity initiated by Istvan Kantor and used freely and widely by various Neoist… Ler mais

St. Louis: Irvin R. Barrows, 1975. Rare proto-zine of pseudoscience, all five issues of this perpetual motion journal which issued its first four numbers (as well as the PERPETUAL MOTION HANDBOOK) under the editorship of Barrows. An included 1974 subscriber's sheet offers the journal for sale ("Excellent for a retired man [...] Probably no good as an investment") and the final undated (1975?) number appears under Dutta's editorship. A 1976 letter is also included detailing delays in publication. Neither the work of a crank nor a tongue-in-cheek send-up, PMJ published articles and studies on the topic of free energy from a number of contemporary practitioners. OCLC notes only a single run (at MiU).

New York: Silver, Burdett & Company, 1899. Later printing. Very good.. The 1899 printing of this work, originally published in 1892. Hardcover. Small 8vo. Brown cloth. About very good. Light edgewear, mild rubbing to cloth. Owner's name to FFEP. Interior bright and clean overall. Good and sound. 63pp.

Los Angeles: Baby Tattoo Books, 2007. First edition. Fine.. Signed first printing of this collection of art relating to "Venisons," Baseman's sexy yet menacing deer women characters. Gary Baseman pioneered the field of Pervasive Art, something not quite lowbrow but not quite "fine." Baseman's art is, indeed, pervasive, particularly in LA: from graffiti to galleries to Emmy-winning cartoons, his playfully edgy style successfully straddles the line between illustration and "Art." 9.5'' x 12.5''. Original color pictorial boards. No dust jacket. Illustrated in color. [64] pages. Signed by Baseman to title page, dated 2007. Booklet to recess in inner rear board, color pictorial wrappers and [32] pages of black-and-white illustrations. Bright.

London: Tetrad Press, 1970. Near fine.. Inscribed limited edition of Baxter's absurdist drawings and texts - association copy presented to Kenward Elmslie, longtime partner of Joe Brainard, who was himself a strong influence on Baxter. Elmslie was also sometime publisher of the artist's work through his own Z Press. A terrific association. 11'' x 8.5''. Original sewn cream wrappers. In original cream dust jacket, lacking title card (as issued). [16] pages. Edition of 250 copies, of which 50 were signed. Printed letterpress by Seven Corners Press. Inscribed by Baxter facing title page: "1970: for Kenward - bests - Glen Baxter." Dust jacket detached from sewn binding, with one short closed tear; light edgewear and toning.

New York: Alfred A. Knopf, 1983. Very good plus.. The first US edition of the first book by this English cartoonist, known for his darkly surreal and humorous drawings. 9'' x 6.5''. Publisher's pictorial boards. Unpaginated. Modest rubbing to corners. Interior bright, clean, good and sound.

Gloucester, MA: Bezoar, 1981. First Edition. Very good.. Issue of the periodical BEZOAR, featuring the first section of Bayliss' work PROLOGOS. Bezoar was issued between 1975 and 1981 by a number of editors including Fred Buck, Thorpe Feidt and Paul Kahn in a number of different formats and iterations. This issue was mailed to DC poet Doug Lang. [Clay and Phillips, 265]. Wraps. 4to. Six leaves stapled at top left corner. Very good. Mild toning and edgewear. Folded for mailing. Else clean and bright.

Gloucester, MA: Bezoar, 1977. First Edition. Good +.. Issue of the periodical BEZOAR, featuring the second section of Bayliss' novel PROLOGOS and work by Clifford Post. Bezoar was issued between 1975 and 1981 by a number of editors including Fred Buck, Thorpe Feidt and Paul Kahn in a number of different formats and iterations. This issue was mailed to DC poet Doug Lang. [Clay and Phillips, 265]. Wraps. 4to. Five leaves, formerly stapled at top left corner; staple missing. Else very good. Mild toning; folded for mailing. Pages clean and bright.

New York: Abbeville Press, 1995. Third printing. Very good + in a very good + jacket.. Discussion of 25 gardens designed by "visionaries" for personal, spiritual, and artistic ends. Illustrated throughout with photographs by James Pierce. Includes index. Hardcover. Oblong 4to. Green cloth boards in photographic dust jacket. Lightly shelfworn. Very good plus overall. 223pp.