Resultados da Pesquisa: 9780262062220

The MIT Press, 2001-10-01. Hardcover. Very Good. 0.7000 11.8000 9.3000.

MIT Press. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

MIT Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

The MIT Press. Used - Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

The MIT Press. Very Good in Very Good dust jacket. 2001. Hardcover. 0262062224 . A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. Light edgewear to DJ. Minor wear to surface of DJ. Remainder mark to bottom edge of text block. ; MIT Press; 12.20 X 9.45 X 0.79 inches; 200 pages .

Los Angeles and Cambridge, MA: Museum of Contemporary Art; MIT Press, 2001. 183 pages, illustrations (some colour); 31 cm. Exhibition catalogue. Published to accompany an exhibition presented by the Museum of Contemporary Art, Los Angeles, Calif., September 16, 2001 to January 20, 2002. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! No priority/air, except by special arrangement. "This book examines the innovative work of thirty-four-year-old Scottish artist Douglas Gordon. Gordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese. In each of these works the original film has been manipulated--slowed down, mirrored by the use of split screen or dual projection, or had its soundtrack altered--to emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling. Produced in conjunction with a survey of Gordon's… Ler mais

The MIT Press, 2001. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1400grams, ISBN:9780262062220

Museum of Contemporary Art, Los Angeles, and MIT Press, Cambridge, MA, 2001. Hardcover. Very Good/Good. VERY GOOD/GOOD. Small smudge at lower edge of front board, a few pages lightly bumped at fore-edge, a couple of page corners turned. Jacket faded at spine, handled, edgeworn, with several chips and closed tears. 183 pp., color illus. Size: 4to

The MIT Press, 2001. First Edition. Hardcover. Near Fine/Near Fine. 4to - over 9¾" - 12" Tall (tall). Slight rubbing to jacket (chiefly at edges); else a near fine copy internally. 183, [1] pages. Catalogue of the exhibition at the Museum of Contemporary Art, Los Angeles, September 2001 - January 2002, featuring chiefly video installations (plus photographs, C-prints, etc). Foreword by Jeremy Strick; editor's acknowledgments; essays by Ferguson, Michael Darling and 2 others; artist's interview by David Sylvester; selected bibliography.Over 100 Color Photographs.

Museum of Contemporary Art, Los Angeles / MIT Press, Cambridge, MA, 2001. First edition. Boards. Very Good/Very Good. 4to, 183 pp., color illus. Bottom edge of front board and front panel of jacket lightly bumped, light edgewear to jacket.

First Edition: The MIT Press. Fine in Fine dust jacket. 2001. Hardcover. 0262062224 . The MIT Press; 4to 11" - 13" tall; 200 pages .

Los Angeles/Cambridge : The Museum of Contemporary Art/ The MIT Press, 2001. Hardcover. Good. Original black boards, dust jacket, (full page) illustrations in colour and b/w, 4to.

MIT Press, Cambridge MA, 2001. Book. Fine Condition. Cloth. 198 pages 120 illustrations 80 in color. First edition. Published on the occasion of the exhibition from the Museum of Contemporary Art, Los Angeles CA September 1, 2001-January 20, 2002, Vancouver Art Gallery, British Columbia, March 9-June 16 2002, Museo Tamayo Arte Contemporáneo, Mexico, March 13-June 22, 2003, and the Hirshhorn Museum and Sculpture Garden, Washington, D.C., February 12-May 19, 2004. Russell Ferguson is Deputy Director for Exhibitions and Programs and Chief Curator at the University of California, Los Angeles, Hammer Museum..

Los Angeles: The Museum of Contemporary Art, 2001. First edition (hardback). 4to (30cm by 23cm), 182pp. Illustrated throughout in colour. Original black boards, dustwrapper. The book and the dustwrapper are in very good condition. ISBN 0262062224

MIT Press, Cambridge MA, 2001. Book. New. Cloth. 198 pages 120 illustrations 80 in color. First edition. Still in shrinkwrap. Published on the occasion of the exhibition from the Museum of Contemporary Art, Los Angeles CA September 1, 2001-January 20, 2002, Vancouver Art Gallery, British Columbia, March 9-June 16 2002, Museo Tamayo Arte Contemporáneo, Mexico, March 13-June 22, 2003, and the Hirshhorn Museum and Sculpture Garden, Washington, D.C., February 12-May 19, 2004. Russell Ferguson is Deputy Director for Exhibitions and Programs and Chief Curator at the University of California, Los Angeles, Hammer Museum..

Cambridge Ma. / Los Angeles: MIT / Museum of Contemporary Art, 2001. Text: English. 183 p.; ill.; 24 x 31 cm. Catalogue of the exhibition at the Museum of Contemporary Art, Los Angeles, September 2001 - January 2002, featuring chiefly video installations (plus photographs, C-prints, etc). Good. Exhibition Catalogue. Hard Cover.

M.I.T. Press, Cambridge, 2001. hardcover with dust jacket. fine. This book examines the innovative work of thirty-four-year-old Scottish artist Douglas Gordon. Gordon is perhaps best known for installations that feature classic films by directors such as Alfred Hitchcock, Otto Preminger, and Martin Scorsese. In each of these works the original film has been manipulatedóslowed down, mirrored by the use of split screen or dual projection, or had its soundtrack alteredóto emphasize the artist's own signature themes, which include trust, guilt, madness, confession, deception, and doubling.<br><br>Produced in conjunction with a survey of Gordon's work at the Museum of Contemporary Art in Los Angeles, the book features essays by MOCA assistant curator Michael Darling, exhibition curator Russell Ferguson, Scottish novelist Francis McKee, and Guggenheim Museum curator Nancy Spector. Darlingís essay places Gordon's work in the context of the Romantic tradition.… Ler mais

The MIT Press, 2001-10-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title!