Resultados da Pesquisa: architecture as space por zevi bruno

Horizon Press. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Horizon Press, 1974. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Horizon Press, 1957. Hardcover. Acceptable. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Boston: Da Capo, 1993. Softcover. Fine in pictorial wraps.. 4to. A classic work first published in Italian in 1948, translated in 1957 and revised in 1974. Examines the history of architecture in light of its essence as space, animating and illuminating architectural creations so that their beautyÑor indifferenceÑis exposed.

1979. Paperback. Very Good.

186 photographs drawings plans. edited by Joseph A Barry. Dust jacket shows wear along top front edge, bottom front, top and bottom of spine of dj,.Index of places and structures. Index Text unmarked.

New York: Horizon Press. 1957. Yellow cloth with black paper covered boards, red lettering front and spine. Minimal pencil marks/underlines found on two pages, clean otherwise. Binding beginning to loosen at rear but secure. Minor wear to boards - front corners bumped/rubbed, short cloth tears at spine tips ((1 1/2" the longest at heel). No jacket. VG-. Black & white illustrations throughout. 288 pp.

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paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

New York: Horizon Press, 1957. Translated by Milton Gendel. Edited by Joseph A. Barry. 288 pp. Previous owner's stamp on title page. White endpapers, with previous owner's stamp on ffep. Quarter yellow cloth with red titles. Corners bumped, faded spine. VG+.

Da Capo Press, 1993. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

NY: Horizon Press, 1974. Revised Edition; small 4to.; cloth covered boards, hardcover; 310 pages; black and white illustrations and photographic illustrations; very good in an edgeworn and sunned dust jacket.

paperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book.

New York: Horizon Press. Fine copy. 1974. Revised ed.. softcover. 4to, 310 pp., Translated from the Italian by Milton Gendel. Edited by Joseph A. Barry .

New York: Horizon Press, 1957. 288 pages in very good condition. Pages are clean and unmarked with black and white illustrations throughout. Signed on the ffep by John Parkin, famous Toronto architect. Page edges are lightly darkened and smudged. Quarterbound in beige cloth and brown paper with red titles. Worn and faded around the edges. Boards are smudged, spine is stained. 1ST EDITION. VG/- -. 1st Edition. Hardcover. Very Good/No Jacket. 8 x 10 1/2.

Da Capo Press, 1993-08-21. Revised. paperback. Used: Good.

New York: Horizon Press, [1957]., 1957. 4to. pp. 288. many b/w illus. index. cloth-backed bds.. Hardcover.

New York: Horizon Press, 1957. How to Look at Architecture. Translated by Milton Gendel. Edited by Joseph A. Barry. 288 pages. 8" X 10". 20 plates - 123 photographs. Yellow cloth and black boards, titles on front and spine. White DJ. VG+/VG+. Hardcover. Very Good+/Very Good+.

New York: Horizon Press, 1957. Boards. Very Good/Very Good. INSCRIBED BY BRUNO ZEVI on the half-title. A solid copy to boot of the 1957 1st American edition. Tight and VG in its duotone boards, with light soiling along the top-edges and tasteful bookplate to the front pastedown. And in a crisp, price-intact, VG dustjacket, with mild spotting to the front panel and more pronounced soiling along the rear panel. Quarto, translated from its original Italian by Milton Gendel, edited by Joseph A. Barry. Also includes the publisher's uncommon wraparound band, which quotes Frank Lloyd Wrigh as famously calling Bruno Zevi "the most penetrating and outspoken critic of our time"