Resultados da Pesquisa: dry brush and pencil drawings por wyeth andrew

Harvard Common Press. A Loan Exhibition Organized by the Fogg Art Museum 1963. Tan, cloth, hardcover, boards. 73 pages. Pages are clean and tight. Prior owner's name is written on the Fep. . Good. Hardcover. Fourth Edition. 1968.

New York Graphic Society. Hardcover. Good/Good. Oblong 8vo. - over 7 3/4 in. - 9 3/4 in. 73pp., a Good copy with heavy foxing to the cloth and light foxing to the top of the pages.

Harvard Common Press. A Loan Exhibition Organized by the Fogg Art Museum 1963. Tan, cloth, hardcover, boards. 73 pages. Pages are clean and tight. Prior owner's name is written on the Fep. . Good. Hardcover. Fourth Edition. 1968.

Harvard Common Press. A Loan Exhibition Organized by the Fogg Art Museum 1963. Tan, cloth, hardcover, boards. 73 pages. Pages are clean and tight. The are some nics along the edges of the dust-jacket. The DJ's price has been cleanly, clipped-away. . Good. Hardcover. Fourth Edition. 1968.

Greenwich, Ct.: New York Graphic Society, 1963, 1963-01-01. Hardcover. Very Good/good. Spot on front fly leaf and some wear and damage to jacket. otherwise very good. Clean pages.

Cambridge, Mass.: Fogg Art Museum, 1963. Paperback. Very good condition. Oblong, 73p., illus.

New York Graphic Society 1963, 1963. Hardcover. Good. IN STOCK - Original hardcover 1963 edition from private collection - dust jacket has usual agewear and one small repaired tear, back of dust jacket is a little wavy from having been shelved for years - manufacturer tiny ink traces at bottom of front cover - unmarked copy in clean condition - mailed within 2 working daysWe do not ship to all countries. Please contact us about shipping charges before ordering from outside of the U.S.A. Thank you.

Greenwich, CT: New York Graphic Society. VG+. 1968. 4th Printing. Hardcover. Stated fourth printing bound in cream colored cloth. Numerous black an d white illustrations. Oblong, 11 1/4" x 8 3/4" hardcover. A VG+ copy in a Very Good dust jacket. The cloth covers are lightly tanned at the outer edges. There are a few dust spots to the edges of the page bloc k. The dust jacket has a 1/2" closed edge tear mended with clear tape and a 1" tear. Both are at the front wrapper's upper edges. Small chip to the front wrapper's lower right corner. Mild dust soiling to the p anels. .

Fogg Art Museum , 1963-07-01. 4th printing. Hardcover. Very Good. 11x8x0. [From the library of Dr. Ralph Gomes, Howard University.] Hardcover and dust jacket. Tears to jacket with loss. Good binding and cover. Shelf wear. Gift inscription on paste down on front end page. <br> Dr. Gomes was a professor at Howard University for 49 years in sociology and criminology. He was also a former Olympic athlete, representing Guyana in the 1960 Rome summer Olympics. Besides his scholarly work, Gomes was active in the black liberation movement. He had an impressive and deep collection of black art, historical advertising and iconography that spoke of the passage of black people and how they sought to record their life stories. His collection spanned from slavery, to antebellum life, to Jim Crow, to the Harlem Renaissance, to sport, to the civil rights movement.

Fogg Art Museum, Cambridge, MA. 1963.. Paper. . Good. Paper. 1963.

Cambridge, MA, and Greenwich, CT: Fogg Art Museum, Harvard University; New York Graphic Society, 1963. Cloth, [72] pages, illustrations; 22 x 28 cm. A Loan Exhibition Organized by the Fogg Art Museum, 1963. Held at the Fogg Art Museum, the Pierpont Morgan Library, New York, the Corcoran Gallery of Art, Washington, D.C. and the William A. Farnsworth Library and Art Museum, Rockland, Maine. Good+. Firm binding, clean inside copy. Front free endpaper (blank) removed, age toning. Price-clipped dust jacket, with moderate shelfwear & soiling. OVERSIZE! No priority/international, except by special arrangement.. Hardcover. Good/Good. Oblong.

New York Graphic Society, 1963. Hardcover. Very Good/Good.

New York Graphic Society, 1968. Used: Very Good. 8vo - over 7. Very Good Minus/Good Minus condition, text clean and unmarked, boards likewise undamaged, dust jacket price-clipped shows small closed tears along top and bottom edges and general shelf and edge wear, oblong format, stated fourth printing, 73 pages.

Greenwich, Connecticut: New York Graphic Society, 1972. Dj has slight edge/corner wear, slightly scuffed, faded, foxing. Cover has edges wear and browning. Pgs. clean, tight and foxing.. Seventh Printing. Hard Cover. Good/Good. 8vo - over 7¾" - 9¾" tall.

Greenwich, CT: New York Graphic Society, (1969).. Small Christmas inscription in ink, Near Fine in Very Good Dust Jacket with a few tiny edge tears. . Very Good. Hardcover. Fifth Printing. 1969.

Cambridge, Massachusetts, U.S.A.: Fogg Art Museum, 1968. Oblong. Light creasing from page handling and light soil to outer edges. Price clipped DJ has edge/rub wear, light soiling and creasing. Actual book for sale pictured. 28.5 x 22.3 x 1.2cm, wt800g. Reprint. Hard Cover. VG/VG. 8vo - over 7¾" - 9¾" tall.

New York Graphic Society. Used - Acceptable.

Cambridge: Fogg Art Museum, 1968. 4th Printing. [71]p., numerous b/w illus., oblong format, dj.

Cambridge, Mass.: The Fogg Art Museum 1963. (hardcover) 73+. Fine. 8vo. Gallery Catalogue. Published for the loan exhibition, Andrew Wyeth: Dry Brush and Pencil Drawings, at the Fogg Museum, Harvard University, Cambridge, Massachusetts, 1963. B / W ills. These works are considered to be the connection between his watercolours and his paintings. Related ephemera laid in..

New York Graphic Society,, 1963. Insgesamt noch sehr gut erhalten. - On the whole very fine. . 73 S., Querformat, 4° (Quart, 25 bis 35 cm), Orig.- Leinen (Hardcover). 1. Auflage,