Resultados da Pesquisa: LIvros por william shakespeare starring

North Hollywood: Republic Pictures, 1948. Vintage studio still photograph from the 1948 film. Released the same year as Laurence Olivier's much lauded "Hamlet," Welles' "Macbeth," shot on a modest budget and very tight production schedule, was largely overshadowed by Olivier's film and poorly received upon release. Republic Pictures, after the film tested unfavorably in a few cities, had Welles remove two reels and re-record the film, replacing the Scottish burrs Welles requested with the actors' natural voices. The original uncut version, with Scottish burr, were restored by the UCLA Film and Television Archive and the Folger Shakespeare Library in 1980, and has since be reconsidered as one of Welles' most significant films. Set in 11th century Scotland. 8 x 10 inches. Light edgewear, else Near Fine.

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1953. Collection of nine vintage studio still photographs from the 1953 film. Paper snipe affixed to the verso of some of the stills. Featuring a booming, articulate Marlon Brando, in a notable departure from previous films. At first thought to be too incoherent due to his mumbling slurred speech in "A Streetcar Named Desire," Brando proved himself quite the versatile actor in his role as Mark Antony. Set in Rome, shot on location in California. 8 x 10 inches. Near Fine.

Los Angeles: Cinerama Releasing, 1974. Collection of eight vintage glossy black-and-white studio still photographs, six borderless and two bordered. Based on the 1968 rock musical, which was in turn based on Shakespeare's "Othello." Othello, the pacifist leader of a hippie commune in the New Mexico desert, faces off against conniving, devilish dropout Iago. Set and shot on location in Espanola and Santa Fe, New Mexico. Seven 10 x 8 inches, one 7.5 x 9.75 inches. Near Fine.

N.p.: N.p., 1954. Original borderless photograph of director Jean Renoir, and actors Henri Vidal and Jean-Pierre Aumont on the set of the 1954 theatre production. With manuscript annotations and an agency stamp on the verso. Staged for a single showing in the Roman Arena in Arles on the occasion of the 2000th anniversary of the foundation of the city by Julius Caesar. 11 x 8 inches Near Fine.

Los Angeles: Cinerama Releasing, 1974. Complete set of eight vintage color studio still photographs from the 1974 film. Based on the 1968 rock musical, which was in turn based on Shakespeare's "Othello." Othello, the pacifist leader of a hippie commune in the New Mexico desert, faces off against conniving, devilish dropout Iago. Set and shot on location in Espanola and Santa Fe, New Mexico. 10 x 8 inches. Near Fine.

Los Angeles: Paramount Pictures, 1968. Vintage program for the 1968 film. Laid in with the program are ten reference photographs from the film, including eight black-and-white and two color. The classic story of two star-crossed teenagers whose romance reconciles the long-lived feud between their families. Director-screenwriter Franco Zeffirelli's production was the first film to cast actors who were actually close to the noted age of the characters in the Shakespearean play. Nominated for four Academy Awards and winning two, making it the last Shakespeare adaptation to be nominated for Best Picture to date. Set in Italy, shot on location in various locations throughout Montagna, Gubbio, Rome, Tuscania, and Pienza, Italy. Program: 9 x 12 inches. 16 leaves, side stapled. Near Fine in wrappers, lightly rubbed. Photographs: Ranging in size from 3.5 x 5 inches to 7.5 x 9 inches. Near Fine. Housed in a Very Good plus transparent envelope.

Culver City, CA: Columbia Pictures, 1967. Vintage borderless photograph from director Franco Zeffirelli on the set of the 1967 film. With manuscript annotations and the photographer Paul Ronald's rubber stamp on the verso. Based on the play of the same name by William Shakespeare. Nominated for two Academy Awards, for Best Costume Design and Best Art Direction. 8 x 10.5 inches. Near Fine.

London: The Royal Princess' Theatre, 1852. Vintage broadside for a series of performances at the Royal Princess's Theatre, Saturday, December 11, 1852, including Shakespeare's "Twelfth Night, or What You Will," Samuel Birch's 1825 musical drama "The Adopted Child," and John Poole's 1833 play "Deaf as a Post: A Farce, in One Act," two of which are noted as the first of four farewell performances by British stage comedian and actor George Bartley. With a manuscript ink annotation of a gift inscription on the bottom right. Named for Princess Victoria before her accession as queen, the Royal Princess's Theatre opened in 1836 on Oxford Street in London on the previous location of the "Queen's Bazaar," a gallery which opened in 1828 and housed paintings and a moving diorama by the celebrated British painter Clarkson Frederick Stanfield and David Roberts. The theatre was most celebrated for its renowned productions of Shakespearean revivals under the management of the noted actor Charles John Kean… Ler mais

London: Mainline, 1979. Two vintage photographs from the 1979 film, including one borderless and one bordered, both showing actress Toyah Wilcox. One with the printed label of Mainline Pictures on the verso, and one with manuscript ink and pencil annotations. From the archive of film historian and author Joel Finler. Derek Jarman's avant-garde adaptation of William Shakespeare's 17th century play, fusing direct quotes from the play with camp, punk and New Age sensibilities, featuring previous Jarman collaborators Wilcox, Karl Johnson, Jack Birkett, and Helen Wellington-Lloyd. Shot on location at Stoneleigh Abbey in Warwickshire. 8 x 10 inches. Near Fine.

Burbank, CA: Warner Brothers, 1935. Vintage studio still photograph and vintage reference photograph from the 1935 film. One photograph shows Victor Jory in a dazzling sequined costume and twig crown as Oberon, and the other shows Jory with actress Anita Louise as Titania. Mimeo snipe affixed to the verso of one photograph, and both with manuscript pencil and ink cropping annotations on the verso. From the archive of film historian and author Joel Finler. Based on the classic 1595 play, about the strange and fantastical events surrounding the marriage of the Duke of Athens and the Queen of the Amazons. The film debut of Olivia de Havilland. Very Good plus, with moderate edgewear and toning, and one with pinholes at the corners.

Spain: Internacional Films, 1967. Two vintage oversize borderless double weight reference photographs from the 1967 film. With a dealer stamp on the verso, along with manuscript ink annotations regarding layout. Based on Orson Welles' early play "Five Kings," which condensed Shakespeare's War of the Roses cycle into one story. The film was the last of Welles' three legendary Shakespearean adaptations, following "Macbeth" (1948) and "Othello" (1951). As with nearly all of Welles' efforts as a director, the film was plagued by financial and logistical problems, shot with nearly no budget, and received no promotion and a very limited release-but is now rightfully regarded as his final masterpiece. Nominated for the Palme d'Or, and winner of two other awards at Cannes in 1966. Shot on location in Spain. One photograph 11.75 x 9.5 inches, one photograph 11.5 x 9.5 inches. Very Good plus overall, with light creases and scratches.

Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1952. Vintage oversize double weight photograph of James Mason on location in Bronson Canyon, California, for the shooting of "Julius Caesar" in 1952. Shot and struck by the film's still photographer, Bob Willoughby. SIGNED by Willoughby at the bottom right margin in black ink, with his rubber stamp on the verso (noting his Los Angeles address). Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. In… Ler mais

Beverly Hills, CA: Bard Productions, Ltd, 1981. Vintage script for the 1984 televised stage production of the Shakespeare play, copy belonging to Speech and Dialect Coach Roberta Farkas, her name in manuscript ink on both the top right of the recto and the top of the verso of the front wrapper. Profusely annotated on every page in manuscript ink and pencil in multiple colors, regarding dialect, elocution, as well as camera choice and staging. Farkas even supplies a legend on the verso of the front wrapper of "Yellow = 1st read-thru / Dark red = 12/17 run thru / Pink [over struck 'green'] = 12/19 afternoon / Navy = Weds, taping / Green = Thurs. aft. taping." Front wrapper with copy number "26" in manuscript pencil on the bottom right, and front wrapper and title page both feature director credits to Paul Blake, struck through, with Lawrence Carra written in, in manuscript ink. The script is preceded by three pages, bound in, of "Scene Titles." First broadcast in the United Kingdom on the Bravo… Ler mais

N.p.: N.p., 1948. Two vintage borderless oversize reference photographs from the 1948 film, both showing director and actor Orson Welles. One with the stamp of photographer Allan Grant on the verso, along with a number stamp and annotations in manuscript ink. Shot on a modest budget, with a very tight production schedule, Welles' "Macbeth" was largely overshadowed by Laurence Olivier's much lauded "Hamlet," released the same year. After the film tested unfavorably in a few cities, Republic Pictures had Welles remove two reels and re-record the film, replacing the cast's Scottish burrs with the actors' natural voices. The original uncut version was restored by the UCLA Film and Television Archive and the Folger Shakespeare Library in 1980, and has since been reconsidered as one of Welles' most significant films. Set in 11th century Scotland. One 14 x 11 inches, the other 13.25 x 10.25 inches. Near Fine, lightly worn at the corners.

London: Caliban Films, 1971. Draft script for the 1971 film. Copy belonging to publicist Ted Gilling, with his name and address in manuscript ink on the title page, and his annotations in manuscript ink throughout, noting filming locations. Roman Polanski's stark, bloody adaptation of Shakespeare's classic drama of murder and ambition in medieval Scotland, co-written by noted dramaturge Kenneth Tynan, and financed by Playboy Enterprises. Shot on location in Northumberland and Wales. Red untitled pictorial wrappers. Title page present, undated, with credits for screenwriters Roman Polanski, Kenneth Tynan, and playwright William Shakespeare, noted as copy No. 9 in manuscript ink on the top right corner. 121 leaves, with last page of text numbered 120. Xerographic duplication, rectos only, with undated pink revision pages throughout. Pages Near Fine, wrapper Near Fine, bound internally with three silver brads. Criterion Collection 726.

Wengen, Switzerland: Alpine Films, 1965. Vintage oversize double weight photograph of Orson Welles and John Gielgud on location in Spain for the shooting of "Chimes at Midnight" in 1965. Shot and struck by noted photographer Nicolas Tikhomoroff, with his rubber stamp and the stamp of his Parisian agency, V.I.P., on the verso. "Chimes at Midnight," Welles' third of three legendary Shakespearean adaptations and last masterpiece, is based on his early play "Five Kings," which condensed Shakespeare's War of the Roses cycle into one story. Welles produced the play in New York in 1939 but the opening night, during which Part 1 was performed, was a disaster, and Part 2 was never staged. He revamped the show and revisited it in 1960, again without success. The later production became the basis for this film, in which Welles plays Falstaff. "Chimes at Midnight," as with nearly all of Welles' efforts as a director, was plagued by financial and logistical problems, shot with nearly no budget, and received… Ler mais

New York: Greenwich Film Productions, 1985. Draft script for the 1985 film. Copy belonging to cameraman Hidehiro Igarashi, with his annotations in manuscript pencil throughout. Text, annotations, and titles in Japanese. Igarashi is also credited as a cameraman for director Akira Kurosawa's later films "Dreams" (1990) and "Rhapsody in August" (1991). Based on Shakespeare's play "King Lear." An elderly warlord in medieval Japan divides his vast empire among his three sons. The power corrupts them and turns them on each other, as well as their father. Nominated for four Academy Awards including Best Director for Kurosawa, winning one. Shot on location in Kumamoto, Shizuoka, Himeji, Oita, Aichi, Yamagata and Tokyo, Japan. Bright blue titled wrappers. Title page present. Approximately 100 leaves. Xerographic duplication, printed on rectos and versos. Pages and wrapper Near Fine, perfect bound. Ebert II. Criterion Collection 316.