Resultados da Pesquisa: LIvros por white gleeson edited

London: George Bell & Sons, 1905. Reprinted 1905 . Decorative Hardcover. Good/No Jacket. 12mo or 12° (Duodecimo): 6¾" x 7¾" tall. 114 pp. Solidly bound copy with moderate use. No dust jacket. Last page detached from spine. Light foxing on page edges, not affecting text.

Edinburgh: T C and E C Jack, 1897. 1st Edition. Hardcover. Very Good/No Dust Jacket. Folio. Type: Book pp xx, 41; xvi, 41; xvi, 41 and xiii, 49. Vols 2, 3 and 4 published in 1898. Magnificent art nouveau gilt decorations to spines and upper boards which are a little grubby. international shipping by quotation

Generic, 1894-01-01. Hardcover. Very Good. 1893 Elliot Stock (London) 1st edition, VG+, handsome green bevelled boards with gilt lettering/decor on spine & cover that all read perfect, tiny bump at both fore-edges, no markings found, foxing on endpapers & pastedowns, pages very nice.

B&W plates throughout each volume

London: Henry and Co., 1897. First edition, 1897. Collected literary works illustrated by artists such as Gustave Moreau, Dante Gabriel Rossetti, Sire Edward Burne-Jones, Giulio Camagnola, Walter Crane, Charles Ricketts and others, along with an original color woodcut by Lucien Pissarro who also designed the endpapers. Mauve pink cloth lettered and decorated in a dove design in gilt, 10.25 inchest tall. Some expected external wear including a very short fabric tear to the spine foot, a little bit of edge bumping, some uneven sun fading to an area on the rear cover, good hinges, sound text block, clean pages with a name and 1897 date on the front free endpaper and the armorial bookplate of Thomas Wallace, Jr., Ellerslie Hall on the front pastedown beneath the endpaper design, no other markings.. First Edition. Hard Cover. Very Good. 4to - over 9¾" - 12" tall.

London: Henry and Co, 1897. Hardcover. Very Good. First edition. Quarto. Original dark orange and maroon cloth designed by Paul Woodroffe. Contemporary owner's monogram in pencil on front free endpaper. Boards moderately rubbed, some light foxing, very good or better. Literary contributors include Austin Dobson, Max Beerbohm, Edmund Gosse, Lionel Johnson, and others. Illustrated with a color woodcut in five blocks by Lucien Pissarro, halftone and color plates by Gustave Moreau, Dante Gabriel Rossetti, Walter Crane, and others. An attractive copy in the scarce binding designed by Paul Woodroffe.