Resultados da Pesquisa: peter pan in kensington gardens from por rackham arthur barrie

Norwalk, Connecticut: Easton Press, 1992. First edition thus. Hardcover. Fine. Rackham, Arthur. Large octavo (9-3/4" x 7"). (6), 126pp. Pictorial blue leather, decorated and lettered in gilt. All edges gilt. Illustrated with a map, 38 plates (31, in color), and 10 text woodcuts. A fine, as new copy.

London: The Folio Society 2005, 2nd printing. (hardcover) xviii, [4], 148pp, [2]. Fine. Folio. In slipcase. Slipcase with light shelfwear and previous owners name small and neat to ffep. Tight, bright, and clean. With Rackham's striking original illustrations throughout; tipped-in plates. A truly delightful volume, as much art as book. Printed on Caxton Wove paper by St. Edmundsbury Press. Bound by Cambridge University Press in full green buckram, blocked with Arthur Rackham's original design, redrawn by Frances Button. A large volume which may require additional postage. Please enquire..

London, England: Hodder and Stoughton, 1910. Early Printing. Hardcover. Good Plus. Octavo. 8 1/4 in. x 6 1/4 in. Green cloth boards with gilt illustration of young boy sitting atop a mushroom playing a panpipe. Gilt lettering to spine. 126 pp. General wear to cloth, rubbing to extremities, Olive green map endpapers on card stock. 23 of 24) lovely mounted illustrations by Arthur Rackham, each protected with captioned tissue-guard some not in stated order. Occasional light spotting to wide margins throughout book, but not to obscure.

Hodder & Stoughton, 1983. Soft Cover. Fine. Number of pages: 126 p. Size: 25cm

Hodder & Stoughton Updated reprint of 1912 editon. Quarto, green cloth boards (reinforced with dark green library cloth to spine & board corners), gilt lettering & gilt illustration to front board, frontispiece with tissue guard, viii + 125pp, illus throughout plus 50 colour plates with tissue guard, VG- (library cloth reinforcement as mentioned earlier, heavy fading to rear board & to front board upper edge, dampstaining to front board upper edge & inside upper edge of front pastedown, moderately heavy browning to prelims & terminals, owner's name & address in pencil to prelim, heavy browning to page edges, sporadic foxing throughout)

London: Hodder & Stoughton, 1912. Undated [1912], the "best" edition with a different frontis and 7 additional plates in black and white. Fair to poor condition but with 49 of the total 50 tipped on color plates present (plate at page 116 is absent) and in good to very good condition. Four of the black and white plates are detached and ragged around the edges. Green cloth lettered and decorated in gilt. Covers heavily worn, sunned and spotted, spine barely legible and with heavily chipped ends, front hinge inexpertly internally reglued but secure, text block sound but not tight, text pages and black and white plates are lightly to moderately foxed but not the plates or the plain pages they are tipped onto, name on front free endpaper. . Hard Cover. Poor. 4to - over 9¾" - 12" tall.

London:: Hodder & Stoughton,. Very Good. 1912. Hardcover. Illustrated with 50 tipped-in color plates with tissue guards as well as some black and white line drawings by Arthur Rackham throughout the text (all plates are present and in excellent condition). No indication of printing or edition (verso of title page is blank, printed by T. and A. Constable). Quarto, bound in green cloth with gilt lettering and design, top edge gilt, Rackham illustrated endpapers. Moderate wear to spine and front board, foxing to endpapers and occasional foxing throughout text block, else very good. No dust jacket. ; 123 pages .

Charles Scribner's Sons, 1906. First Edition 1st Printing thus. Hardcover. Good. 0x0x0. 1st American Printing. 'Published December, 1906' stated on the copyright page. Drawings & Illustrations by Arthur Rackham. All 50 color tipped in plates mounted on heavy stock and each with a lettered & labeled tissue guard. Other than the frontis, the remaining 49 plates are bound following the text as issued (not within the text as might be expected). The plates comprise the entire second half of the book by thickness. Hardcover bound book. Decorative green cloth with gilded illustrations to the spine and cover. Good- (3 of 10) the spine case is torn and glued down, the front hinge is glued, the rear hinge is taped. The tissue guard for the frontis is a bit detached at the top & bottom, there is a bit of a hinge split at the frontis plate. There are some minor creases to the other tissues guards, and a few have a touch of foxing. The color plates are beautiful crisp and clean. There is… Ler mais

London, Hodder and Stoughton, 1909 6th edition. STUNNING BINDING Bound by Andrew Sims Hardback, approx 10 x 7.5 inches. Fine binding in full burgundy Harmatan morocco leather, Beautiful gilt work re-creating the original cover & spine designs, all worked in 24 carat gold leaf, Inner turn-ins and board edges tooled in gilt, Edges of text block gilt, Marbled endpapers, Signed by the binder in gilt on lower rear turn-in, Hand-sewn silk endbands. A very fine example. Exterior - the fine binding is in immaculate condition. Interior - excellent, the pages are very clean with just the odd mark or two which I have emphasised in the photos (pp 76-77) All the colour illustrations are beautifully preserved including the captioned tissue guards. One tissue guard has a slight crease and browning. With specially made slipcase. 126pp text Illustrated by Arthur Rackham, with 50 colour plates, mounted on grey paper with captioned tissue guards. All plates in this edition bound at the rear, except the… Ler mais

London: Hodder & Stoughton. [1919]. A 'new edition' with Arthur Rackham illustrations. A 'new edition' with Arthur Rackham illustrations. Publisher's original green cloth with title titles and illustration to the upper board and spine, in dustwrapper. Illustrated with 50 tipped in colour plates, each with a captioned tissue guard, 8 full page black and white drawings, and smaller line drawings throughout the text. A superb fine copy, the binding square and firm, the cloth and gilt bright and fresh. The contents, with a bookseller's label to the upper left corner of the front pastedown (hidden by the dustwrapper flap) are otherwise clean throughout and without foxing, inscriptions or stamps. Complete with near fine dustwrapper that is a little rubbed at the extremities and mildly toned to the spine. The underside has a thin strip of archival reinforcement at the head of the spine and upper fold corners. A beautiful example. The artist's highlight and one of the most… Ler mais

London: Hodder & Stoughton,, [1912]. Arthur Rackham at his best Best Rackham edition, originally published in 1906. This edition is enlarged with a new frontispiece and seven full-page drawings that are not in the first edition. The plates were bound in sequence with the story for the first time. "Mr Barrie's touch of fantasy, homely but eerie too, is admirably reflected. Moreover, the pictures are simple, and are clearly and firmly drawn" (Saturday Review of Politics, Literature, Science and Art). "The delightful colour and black-and-white illustrations are Arthur Rackham at his best, and, perhaps, no other artist could have been so happy in his results... Mr Rackham's work is such that one is always finding charming little unexpected surprises in out-of-the-way corners of his pictures. These illustrations are not to be merely glanced at, but carefully studied to derive the full amount of pleasure from them" (The Bystander). Quarto. Finely bound in full green morocco by Bayntun-Riviere, spine… Ler mais

London: Hodder & Stoughton Limited, , [1920 or later]. In original dust jacket and pictorial box Peter Pan in Kensington Gardens was first published in 1906, in both deluxe and trade editions, with the plates gathered at the end. The "New Edition" of 1912 is in larger format, with new illustrations dated 1912, the colour plates distributed throughout the text, the text entirely reset (readily identifiable by running headlines in a large italic typeface), uncoloured head- and tailpieces to each chapter, a calligraphic title page printed in two colours without the word "Limited" after the publishers' name, and with untrimmed fore and lower edges. In the first impression, the map of Kensington Gardens is printed across the page, with a blank verso. Later impressions of the New Edition have the title page printed in black only and the company name given as "Hodder & Stoughton Limited": these were presumably issued after December 1919, when the firm was incorporated as a limited company. The edges of… Ler mais