Resultados da Pesquisa: LIvros por melville herman illustrated

Good. in x in x in. #113-025-99 Modern Library Books, 566pp HB (vg) w/DJ (g)

NY: The Heritage Press, 1965. Hardcover. Near Fine with VG+ slipcase. Decorative tapia cloth hardcover, light shelf wear and fading to spine, none severe; very clean and tightly bound. Former owners' names on front fly leaf, o/w bright clean and unmarked pages. Light wear only to the slipcase. A very nice well kept copy, appears unread. 23 color illustrations. Ships domestic media mail only3

Easton, 1965. Hardcover. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Franklin Center, PA: Franklin Library, 1978. Novelty. Very Good. Condition of the book is Very Good. Some light spotting along top edge of gilt textblock. A book in The Collected Stories of the World's Greatest Writers series from The Franklin Library. Includes booklet with Notes from the Editors of the series. Bound in dark blue leather with two raised bands on the spine. Decorations stamped in gilt on the covers and spine. All edges gilt. Silk moire end papers and sewn-in ribbon marker.

Easton. Used - Like New. Like New condition. (historical fiction) A near perfect copy that may have very minor cosmetic defects.

New York: The Heritage Press, 1963. 1963 edition by Heritage Press. Patterned hardcover, color illustrated throughout, golden tan slipcase. The book has a slightly darkened spine, otherwise about fine condition with good hinges, firm text block, clean pages, no names or other markings. The slipcase has some age-toning and light shelf soil, structurally sound with no chips or breaks.. Hard Cover. Very Good/Very Good Slipcase. 8vo - over 7¾" - 9¾" tall.

New York: Dodd, Mead & Co. Vintage Copy. Hardcover. Book condition is Very Good- in boards. Tear to spine at crown. Some minor wear to exterior and small bumps to edges. Hinge is starting. Text is clean and unmarked, illustrated in color. No date. ; Large 8vo 9" - 10" tall.

NY: Aventine Press, nd (1931). Blue cloth. Cover extremities lightly rubbed, light cover soil: VG/no dj. 8vo. Illustrated in color by Guido Boer.

Goldsmith Publ. CHICAGO, 1952. HBDJ, 1952, few pencil marks, small chip spine Ends DJ & ARound Edges, vG/VG-, GreEn cLoth wItH Black Lettering Cover FADE ExtremIties & Spine, 249 pgs. Hard Cover.

London, Nonesuch Press, 1926.. One of 1650 numbered copies illustrated by E. McKnight Kauffer and hand-colored through stencils at the Curwen Press. Bound in full red cloth with the title stamped in gilt on the spine. Spine sunned, adhesive stains on end papers, otherwise very good.

London: Frederick Muller; Printed at the Curwen Press. 1946. First edition, first printing. First edition, first printing. Publisher's original pictorial cloth with titles in black and panoramic colour illustration by Edward Bawden across the boards and spine, in matching dustwrapper. Illustrated with 16 full-page colour plates by Edward Bawden. A lovely near fine copy, the binding firm with light rubbing to the extremities. The contents, with light offsetting to the front free endpapers, are otherwise clean and bright throughout and without stamps or inscriptions. Complete with the lightly rubbed and nicked dustwrapper which has a few very short closed tears at the edges and a touch of fading to the spine. Not price-clipped (10/6 net to the front flap). A diverse anthology of verse "by those who have travelled in fancy or fact or in both", plotting "an erratic course round the world with the poets for guide", taking "the reader from West to East and back again".… Ler mais

New York: Random House. Very Good- with no dust jacket. 1930. Hardcover. Original black cloth stamped in silver. Corners slightly bumped, silver rubbed in spots, small area of nibbling to spine, slight soil to cloth. Hinges starting. Ink stamp to ffep. ; Rockwell Kent; Octavo; 822 pages .

London: Cassell & Company | printed at the Lakeside Press (Chicago), 1930. Hard Cover. Very Good binding. Octavo. xxxi, [1], 822, [6] pp., illus. As issued, in publisher's black cloth, lacking dust jacket. Binding rubbed and hinges a trifle loose; nevertheless, it presents fairly well. Contemporary gift inscription on the front free endpaper dated 1936, otherwise, internally clean. Three asterisks stamped beneath the imprint on the title page--a stamp seen on other, but not all copies of the Cassell edition, nevertheless likely from the publisher. This appears to be the first English edition, though the binding does not have the title stamped in gilt on the front cover as seen in other examples. Tanselle, in his A Checklist of Editions of Moby-Dick, 1851-1976, writes of the first, quarto edition of Kent's work: "The most elaborate physical presentation which had been accorded to Moby-Dick up to this time, and one of the finest examples of bookmaking to found among all the editions of his work.… Ler mais

[New York]: Harper Collins, 1995. First Edition. Hardcover. Fine/Fine. A reconstruction of the original text of the novel by Melville scholar Hershel Parker. Many small color illustrations by Sendak. 449 pages. Hanrahan bibliography A144. First edition (stated). A fine copy in a fine dust jacket. Signed by Sendak and Parker.

New York: Random House, 1930. First edition of Rockwell Kent's profusely illustrated edition of the great American novel. Octavo, original black cloth decorated in gilt, illustrated throughout by Rockwell Kent. Presentation copy, inscribed by the author on the front free endpaper, "For Ann Busby by Rockwell Kent." In very good condition. A bright example. Initially panned by critics and readers when published in 1851, "in the 20th century Moby Dick would be rediscovered and acknowledged as possibly the greatest of all American novels" (Chronology of American Literature). The artist Rockwell Kent did more than provide the illustrations for this landmark edition—he designed the entire book. "His energy, many-sided activities and preoccupation with integrated book design made him one of the best known American illustrators of his time" (Harthan, 247).