Resultados da Pesquisa: ghosts along the mississippi magic por laughlin clarence john

Bonanza Books, 1961. New and Revised Edition . Oversized Hardcover. Near Very Good/Very Good. Center hinge split, but binding securely sewn. Small owner name at top of flyleaf, otherwise unmarked. Dust jacket solid overall, with mild amount of toning.

Bonanza Books, 1961. Hardcover. Very Good. in x in x in. B&W photos. Gift card taped to inside of back cover. No markings in book. Binding is fine. Lightly read. DJ with shelf wear to edges.

Random House Value Publishing, 02/08/1988. Hardcover. Used - Good. Used - good condition. For mass produced books with multiple editions the book on hand may not be edition listed. Please reach out with any questions about condition or edition.

Bonanza Books. Very Good in Very Good- dust jacket. N.D.. Reprint. LARGE Hardcover, illus.. Book square, tight and clean with a hard bump at spine base, else Fine. NO notes. Owner inscription at 1st page else NO other markings. DJ with 2" shelf tear at spine base and another at top end else minor wear to rest of DJ, Bright and Glossy. Price clipped. ; Ships in a box, USA ; 100 photos by the author; Unpaginated pages .

American Legacy Press, 1988. Hardcover. Very Good/Very Good. Very good, clean, tight condition. Text is free of marks. Previous owner's note on front page. Small, blue scuff mark on back of dust jacket. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.

American Legacy Press. As New in As New dust jacket. 1988. Revised Edition; First Printing. Hardcover. 0517006081 . Hardcover in dust jacket. Blue cloth spine on black boards, pristine. Protected dustjacket sharp and bright. Book firm in binding, pages include Technical Appendix, 100 b&w full page plates. Free of any markings, not ex-library. ; 4to 11" - 13" tall; 200 pages .

American Legacy Press, 1987. Hardcover. Very Good/Very Good. Minor wear to boards and dust jacket. Jacket has 2cm tear at foot of front fore edge. **Due to size or weight of book additional charges for international and priority shipping may apply.**. Oversize.

New York: Charles Scribner's Sons, 1948. Hardcover. Good/Fair. First edition. Folio. One hundred photographs by the author. Good or better with gift inscription, front hinge cracked, corners worn, and light tidemark affecting the top edges of the page corners in fair rubbed and heavily worn at the edges with crease, tears and large chip on rear wrap. dustwrapper. A scarce first edition.

Bonanza Books, 1959. Very Good Hardcover with dustjacket, Some chipping to edges of DJ "An Essay in the Poetic Interpretation of Louisiana's Plantation Architecture" with 100 photographs by the author. Hardcover. Very Good/Good.

New York: Charles Scribner's Sons, 1948. 1st. Hardcover. Very Good/Fair. 13.2x10.7x0.8in. names and date April 27, 1948 on half-title page, light wear to bottom of spine and tips of bottom corners, dust jacket chipped at head of spine, large chip at top edge and small chip at bottom edge of front panel, large chip at top edge of back panel. Dust jacket in clear protector. Illustrated with 100 splendid photographs. 3.58lb 13.2x10.7x0.8in

Charles Scribner's Sons. Used - Very Good. 1948. Tall 4to., cloth, dj. First edition (with A on copyright page as required). Very sound copy in partial dj. (some large chips at head and heel of spine and on lower edge of rear panel; smaller chips at outer corners of front and rear panels; price-clipped). Some rubbing to edges of cloth; spine moderately rolled. Internally quite good. (Subject: Photography.)

New York : Alfred A. Knopf, 1961. Book. Illus. by Author (photographs). Near Fine. Hardcover. Signed by Author(s). Reprint . Folio - over 12 - 15" tall. Signed: "Clarence John Laughlin" on half-title page. "An Essay In the Poetic Interpretation of Louisiana's Plantation Architecture". 100 photographs by the author. Minor wrinkling to rear DJ panel. Clean and unmarked. .

New York: Charles Scribner's Sons, 1951. This is the 2nd edition published 3 years after the original first edition. This copy signed and inscribed by Laughlin. Unpaginated, but 100 beautiful full-page black and white plates. This copy is signed by Laughlin and a friend. This is a very good cloth copy, with some foxing mainly to the page-edges (visible when book is closed), and also to endpapers. Plates clean. Slight wrinkling to the bottom portion of the pages. The dust jacket is 95% there, missing a small fragment from the top of the spine, and a smaller chip out of the top right corner of the front panel (it just cuts off the corner of the "M" in Mississippi), also a few folds and creases on the edges. Still, a beautiful book, in pretty good shape, and quite rare signed. 13" high X 10" wide. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.. Signed by Author. 2nd Edition. Cloth. Very Good/Very Good.

New York: Charles Scribner's Sons, 1948. Hardcover. Very Good/Very Good. First edition. Folio. One hundred photographs by the author. Owner's name neatly penned on half-title, front hinge cracked, spine ends and corners a bit worn, tipped-in paper on front fly removed leaving small strip of paper, else very good in a very good dustwrapper with crease across center of dustwrapper, extremities modestly worn. Lovely copy of this Scarce first edition.

New York: Charles Scribner's Sons, 1948. Cloth. Near Fine/Near Fine. #284 OF AN UNSPECIFIED NUMBER OF THE "LIMITED AUTOGRAPHED LOUISIANA EDITION". SIGNED BY THE PHOTOGRAPHER CLARENCE JOHN LAUGHLIN at the limitaton AND INCLUDING THE PUBLISHER'S PRINTED SLIPCASE. A tight, impressive copy to boot of the 1948 true 1st edition (with the letter 'A' and Scribner colophon at the copyright page): Clean and Near Fine in a bright, price-intact {AND price-clipped}, Near Fine dustjacket, with just a touch of light wear at the spine crown and along the rear panel's upper tip. Folio, Laughlin's crisp, wonderful black-and-white portraits thruout. The slipcase, which no doubt accounts for the superior condition of the book, merits a VG only, with light wear to the edges, offsetting along the rear panel's lower-edge and light chipping at the spine ends. The title label along the spine shows some darkening and mild scuffing as well. By all indications quite scarce in its limited autographed edition.