Resultados da Pesquisa: the art of potter por honey w b

New York: The Beechhurst Press. Good+ with no dust jacket. 1955. First US Edition. Hardcover. Mild wear to cover, light browning to page edges throughout .

Publisher: London; Faber & Faber, 4th impression, 1955. Hardcover. Has some backcover faint water damage, but that is only part of book affected, and most people wouldn't notice it very much. One small pen mark on back endpaper. Otherwise, very good condiition.. Good.

Faber and Faber, 1948. Hardcover. Good/Acceptable. 1948. 3rd Impression. 111 pages. Pictorial dust jacket over red cloth. Black and white photographic plates throughout. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Unclipped jacket has moderate edgewear with chips, tears, and creasing. Light tanning to spine and edges. Wear marks overall.

Faber and Faber, London, 1946. Hardcover. Acceptable. in x in x in. Ex-Library. Hardcover.

New York: The Beechhurst Press, 1955. Hardcover. Fine/No Jacket. Gilt spine lettering & front cover emblem on red covers. 4to. 111pp. Attractive bookplate & name on the first free end paper.

London: Faber & Faber, Incorporated, 1946. First Edition, Second Impression. Cloth Boards, Gilt Titles. Fine -/No Dustjacket.

New York: The Beechhurst Press, 1955. First American edition. Cloth. Near Fine. 8vo - over 7¾ - 9¾" tall. 1st American edition, stated. A Near Fine copy, without the dust jacket. 8vo., xv, (i), 111pp., illustrated with b&w photographic plates. Burnt Umber cloth with title on spine, and dragon design on front board in gilt. Some very light marks on the front boards cloth. Gift inscription on the front pastedown. A Near Fine copy.

The Beechhurst Press. Used - Very Good. 1955. Hardcover. Cloth, no dj. Slight shelf-wear. Cover scuffed in spots. Binding beginning to separate from back cover. Previous owner's bookplate in front. Else clean copy, text and illustrations unmarred. Very Good.

Faber & Faber, 1946. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Dust jacket in poor condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:

The Beechhurst Press. Used - Very Good. 1955. Hardcover. Cloth, no dj. Slight shelf-wear. Foredge, endpaper scuffed in spots. Else clean copy, text and illustrations unmarred. Very Good.

London: Faber & Faber, 1966. First Edition . Hardcover. Good/No Jacket. Hardcover, light browning to eps, a small bookseller's label on inside of rear cover, with photographs, Good without dustjacket.

Whittlesey House, 1950-01-01. Hardcover. Good. Whittlesey House/McGraw Hill U.K., no date, NO DJ, black boards with gilt lettering on spine, light wear, name on endpaper in corner, wear at top corners.

Faber And Faber, London, 1946. First Edition. Hardback. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling. Remains particularly well-preserved overall; tight, bright, clean and strong. ; 111 pages; Impressively and abundantly illustrated.

Beechhurst Press, 1955-01-01. Hardcover. Very Good. 9x6x1. Bound in full leather. In laid gilt on front board and spine. Top edge gilt. Marbled end papers. Hardcover. Good binding and cover. Shelf wear. Leather has some minor chips. Clean, unmarked pages.

New York: Book Collectors Society. Limited to 250 numbered copies of this edition. VG-, slight wear to outer front hinge and uneven spotting to front and rear covers. Blue leather with gilt embossed design. Marbled endpapers, silk ribbon, top edge gilt. 157 pp., illustrated in bw. Essays include: Many Occasions -- Beauty in art and nature -- Poetry : The sacred fire: an essay on the nature and phases of English poetry -- The arts in the modern world -- The artist and his subjects -- The artist and his materials -- The artist and society -- The artist as visionary -- Visual arts -- Art and science -- The painter's purpose and the public taste -- Sculpture and modelling -- A porcelain group -- Tradition and change in t he art of the potter -- The art of the glass-maker: a survey -- The Theatre -- A Note on Nijinsky and the paradox of acting and dancing -- The Garden -- End of the year. Includes illustrations by T A Stephenson, Thomas Martyn, Pablo Picasso, Giovanni Bellini, Eric Ravilious, Hans… Ler mais

London : Faber and Faber, 1946. First Edition. Hardback. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains quite well-preserved overall. Provenance: From the Royal Society of Arts Library, with some marks remaining. ; 8vo 8"" - 9"" tall; 111 pages; xvi, 111 p : illus., plates ; 26 cm. Subjects: Pottery - Expertising - Art - Ceramics - Collecting - Antiques.

LONDON, FABER, 1946. HARDBACK. VERY GOOD. . FIRST EDITION VERY GOOD COPY NO DUSTWRAPPER. FOXING TO PRELIMS. ONLY. VERY WELL ILLUSTRATED.

London: Faber and Faber, 1946. 111 pages. Illustrated with 160 plates. Pages good condition, clean. Previous owner's name on ffep. Rust cloth, gilt illustration on upper cover and gilt bands, title on spine. Spine worn with few scratches. Boards show ligh wear, few scratches on lower board. Edges and corners lightly worn. VG. 1st UK Edition. Hard Cover.

New York: Beechhurst Press. 1955. First American Edition; First Printing. Hardcover. Very Good+ in boards. Owner name inked on FEP. Light scratching on rear panel. .

London: Faber and Faber Limited, 1955. 160 b/w plates. 111 pages, clean and clear. Beige endpapers with some yellowing. Red cloth cover with gilt titles. 1 corner bumped (top, front), minor wear on the corners and along the spine. VG+. Fourth Impression.